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![]() So is it just a steady decline to dead driversville from here? Or can I expect years of the same imbalance? I'll contact the seller... |
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Has anyone here actually had a driver die on a set that had a channel imbalance? I'm tempted to just keep them and enjoy them until death do us part...
And then upgrade
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There's plenty more where those came from, I wouldn't worry too much. Replacements are just an ebay away. I'd just use them myself. I have a channel imbalance on a couple of Stax phones.
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Sexy custom titles are cool.
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Extreme heat is probably also better to avoid. I wouldn't leave the headphone sitting in direct sunlight. |
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I too store them in the flight case when I'm not using them.
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SB3 → Parasound D/AC 1100HD / music hall MMF-5 → audio space galaxy 34/Stax SRD7-pro → Stax Omega II mk1. |
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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Headphones: Stax: SR-007 MkII, SR-003; Ultrasone: Edition 9; AT:ATH-ESW9/ESW10JPN Home Amps: Stax: SRM-T1S, SRM-252a, Headamp: KGSS(bg) Yamamoto: HA-02 Portable Amps: TTVJ: Portable Millet Hybrid; iBasso Boa; Nuforce Icon Mobile Sources: Lavry DA10 (2); Oppo 981HD; Squeezebox V3; iMod |
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I would say try before you buy (even though the resale on the MK1 seems to be pretty good), since it will be pretty steep to build a system around them. I'm very glad that I got to hear them at a meet and at a dealer, otherwise I probably never would have bought them.
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SB3 → Parasound D/AC 1100HD / music hall MMF-5 → audio space galaxy 34/Stax SRD7-pro → Stax Omega II mk1. |
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One thing I don't do is put anything on top of an amp such as a wooden Stax stand (which I don't have, boohoo, I only have a cheap acrylic copy of a Qualia stand). It might save some space, but I think amps should have their own air-space. |
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Spritzer, I read you always ground out the pins on your sets. Could you please explain what you do and the reasoning behind it ? |
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I do it to discharge the diaphragm before putting the phones away for storage. They will attract less dust this way and I'm trying to prevent the dreaded "electret effect". You don't have to do this with electrets as there is nothing to ground, the bias pin isn't connected to anything.
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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Initial impressions RE SRM-717 vs SRD-7 Pro/Dared VP-20:
Well, this is a surprise. Several things jump out immediately. First, the bass is definitely tighter with the 717. I guess it's the extra added power. With the SRD-7/Dared, the bass has all the volume of the 717, all the depth of the 717, and all of the tonal clarity of the 717, but it's fuzzier, doesn't have the snap, and doesn't have the definition. There's more of a diffuse bass cloud than a precisely localized bassline. With the 717, the bass is definitely better defined. Not any tonally cleaner, really, but quicker, punchier, and snappier, with more authority. Second, the highs are - surprise - more upfront and more detailed with the SRD-7/Dared. I really thought the 717 would do better here, but no cigar. The 717's highs are somewhat metallic and dry compared to the SRD-7/Dared, and are definitely more recessed (though not any less extended). If anything, the SRD-7/Dared is a bit on the bright side, while the 717 is definitely somewhat on the dark side. Dynamic range is definitely better on the 717. The SRD-7/Dared combo is definitely not lacking in dynamic range, but with the 717, there is a noticeable visceral punch. With the SRD-7/Dared, there is only an absence of the typical electrostatic lack of punch. It's not annoying, but it doesn't woo you with its dynamic power. Soundstage is wider and more airy on the SRD-7/Dared. Imaging isn't any less defined - there is just a certain tubey air and space around each instrument which the 717 totally lacks. The 717 does feel more congested in comparison. But the biggest difference, and one I've been procrastinating to say the most, is in the midrange. The SRD-7/Dared has a very tubey, lush approach to rendering the midrange that nevertheless doesn't warm up midrange tone. It isn't cold, it's just about neutral with very lifelike tone, but there is also this wonderful liquid character to it. With the 717, the midrange is a bit warmer, but it's also completely dry. There is no liquid character to it at all. Now, I'm making it sound like the SRD-7/Dared midrange is like sex with Keira Knightley, while the 717 is like getting your ears raped with a sandpaper condom. It's nothing of the sort. It's just a difference between a very tubey presentation and a typical solid-state presentation. But, it's still a deal-breaker for me. If anything, the 717 confirms what I already knew - I'm a tube man through and through. With the SRD-7/Dared, there is just this lush tube magic to the system that makes me completely relax, let my guard down, and ease into the music. I could wax poetic about every detail and nuance of its presentation, but I just don't care to do it after even a short time listening. I'm too busy enjoying the music. With the 717, I'm aware at all times that something is lacking. Even if the sound is technically better, and even if there is more punch - I just can't relax and let go. My initial impression is "... it's nice" and then in 15 minutes I want to turn it off. With the SRD-7/Dared, the sound is so fluid and musical I can listen all day, except that my head wants to explode after two hours from the sheer level of awesome. So, the 717 will not stay, even if it is technically better than the SRD-7/Dared combo. But, it will stay until I get a better source. Some of the dryness could come from the Rega, and it definitely doesn't have enough resolution for the O2 with either setup. Also, the 717 is balanced, and a balanced source could definitely change things. I see the following options in my future: 1) Keep the SRD-7/Dared. My wallet likes this option, and my ears certainly could live with it, but there's a catch: the SRD-7 is not mine. So, I'll need to get another one when MaloS wants his shiny transformer box back. 2) Fix that McAlister heap of junk already. The amp is built like shit, arrived damaged (or maybe something is wrong with the circuit somewhere), and hasn't been of any more use other than a perpetual reminder of what build quality should NOT look like. But, it does have the sonic potential. If it didn't, I'd have myself a nice McAlister bonfire, with me and company dancing around the flames like wild Injuins (racist humor). I really, really don't fancy dealing with Peter again, but if I do get the amp up and running well (or swap it for another one that works), I will be happy. The amp really can sound good. 3). Build a Blue Hawaii. This will happen eventually, but to do so I have to a) have money, b) learn a new skill, and c) not kill myself in the process. Altogether unlikely, but hey, I've had worse odds in the past. Still, these are initial impressions. I reserve the right to completely change my mind at a later point in time. In fact, I may downright bitchslap myself.
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Procrastinators of the world unite!
(tomorrow) |
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Great comparison and a tube head will always be a tube head...
You are how ever in a bit of a pickle though there are a couple more options plus those that you listed, the new amp that Woo will release soon (which I know nothing about) and a better transformer box. Fixing the McAlister would be my first step though so what's wrong with it?
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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