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OI went for $3600 + boxing / shipping. Such a deal.
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Home: Cambridge Azur 840c -> Apuresound IC -> Blue Hawaii -> HE60 ORR Balanced Bijou -> APS v3 -> HD600 Office: Sony DVP -> OPUS DAC -> Balanced MillettMax -> Enigma Oracle -> Balanced HD650 WIP: Electrostat Amp X |
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Yep, someone is going to be very happy soon.
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I was expecting $5k
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SB3 → Parasound D/AC 1100HD / music hall MMF-5 → audio space galaxy 34/Stax SRD7-pro → Stax Omega II mk1. |
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I think if I built an electrostatic setup I would go for the Gamma Pro's... was talking to Peter McAlister recently and he likes his over his Omega I's for many types of music.
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"The monkeys are the cables, the dresses are the ERS Paper, and the dancing is the jitter." - Patrick82
modded akg k340 w/headphile blackgold < mcalister audio massive attack < moon audio modded original cd-2008 mkii |
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yeah sorry...I like that comic and Brent is a Mac-head...I thought it was funny. I'll take it down in a day or so.
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Audio Aero ~ Odyssey ~ Quicksilver ~ THIEL "In my pancreas, she drinks her coffee."
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Dirty Laundry Will Out. In Russia, Fascism embraces you. /)_/) I remain,(^.^=) (")"_)o :-Peter, aka :-Dusty :-(halk |
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Well, I've been living with an SRM-T1 amp and the ED-1 equalizer for the Lambda Pros recently and it's an interesting experience. We had a little electrostatic get-together here in MD last weekend at Hirsch's and the general consensus was that the ED-1 causes a loss of detail. While it didn't scale well with the Sigma Pros or even the Lambda Signatures I do think it does better with the Lambda Pros.
There are some trade-offs when using it. I'll write up more after I've had a little more time with it.
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They're very smooth and subtle. Lots of attention gets given to the little nuances in the music, but they're beaten by the other good 'stats when it comes to dynamic contrasts and crescendos. The lower-key the music is, the better they sound. Jazz is awesome. Romantic-era classical would be their greatest weakness (not to say they sound worse than a Triport with such music, as they of course don't). They share family resemblances with the Lambdas and Sigmas, naturally so as they all share the same drivers. In terms of tonal body, they're about halfway between Lambda and Sigma. Quote:
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So I've spent more time with the SRM-T1/ED-1 combo lately. I must say that I'm a bit at a loss to really make a decision. On the one hand, the ED-1 processes information out, so you miss micro-detail and lose some dynamic "umph". But on the other hand it does snap things into focus. It's like there's a slight haze on the sound without it, and then you turn it on and BAM, clarity.
Overall i'm not sure if it's something I want to keep and use long term. I like the depth it adds to the headstage and image, but at times it can sound a bit thin and anemic. It's certainly an interesting device. It works best with the Lambda Pro (since it was designed for that headphone) and not very well with the Sigma Pro...not at all. It's good with the Lambda Signature too although less so, but not by much. I also got a pair of SR-X/MKIII headphones and these are little firecrackers! Clear and snappy. It's amazing how good these things sound....lots of fun with electronica and pop/rock.
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Well, just pulled the trigger on another Stax headphone...I guess a variation on a theme if you will. Like Tom Petty said, "The waiting is the hardest part."
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Home Rig: CD73 or SB3 -> Hertsens DAC -> The Menace -> HD650's or Ian Modded HF-1 #8 Soldering Rig: Macbook -> Duet -> SimpleSE -> Ascend Acoustics CBM-170 Certified DIY Junkie -Specializing in cutting round holes in metal plates since 2004... First Law of Physics: A spatula will not fly a straight trajectory if hurled by an angry oral hygienist.
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Very nice!
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i've been told nate is made of pure win |
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I'm looking forward to it. There may be a stock Lambda Pro up for sale soon.
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