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Source: Modwright & Kern Modded Sony SCD-777ES w/ Tube Rectified PSU (amazing!!!), Sony SCD-1, and Modwright Pioneer DVP-59ai & 47ai. Headphones: Sony MDR-R10 (SN# 284 & SN# 36 , Sennheiser HE-90 (SN#129), Senn HD-650 w/ Zu Mobius, Audio Technica ATH-L3000, and Audio Technica ATH-W2002 w/ L3000 DriversAmp:Heavily Upgraded Single Power SDS, Sennheiser HEV-90 (SN#129), Audio Technica DHA-3000, HA2002 (best amp for W2002!!) & Doobooloo Maxed Out PPA w/ STEPs and PPL's Diamond buffer Speakers:Paradigm Reference 100 V.3 being driven by Sony TA-N/E/P9000ES Combo |
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If you are comparing the headphone on an amp like the ES-1 or the GES you will always get a rose tinted view of the world compared to the brutal honesty of a good DC amp. Now whether you like the sound or not is a whole other issue but this something that is often overlooked as most users have no idea how an amp works and what the differences are.
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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DIY/Lenco Idler -> Audio Technica AT-1005 mk2 -> Ortofon SPU Mono -> PassDIY Pearl |
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From now on, I will only post opinions about gear I haven't heard. Gosh, I blend right in...somewhere. |
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I'm not sure what to say really, but we all have preference. You will always prefer the sound of the OII+KGBH SE over the HE90 with any amp, while I might prefer the HE90+ES-1/HEV-90 over the OII + any amp. I plan to get the OII one day to use with my ES-1 but I might still not be good enough unless I get the KGBH to use with the OII, according to what you have been saying. Nothing is absolute and I was only offer my view that the Lambda Pro is a very good headphones and I know number of people who love them and I happen to like the sound of the my Lambda Pro + ES-1 over the OII + KGSS. Quote:
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Source: Modwright & Kern Modded Sony SCD-777ES w/ Tube Rectified PSU (amazing!!!), Sony SCD-1, and Modwright Pioneer DVP-59ai & 47ai. Headphones: Sony MDR-R10 (SN# 284 & SN# 36 , Sennheiser HE-90 (SN#129), Senn HD-650 w/ Zu Mobius, Audio Technica ATH-L3000, and Audio Technica ATH-W2002 w/ L3000 DriversAmp:Heavily Upgraded Single Power SDS, Sennheiser HEV-90 (SN#129), Audio Technica DHA-3000, HA2002 (best amp for W2002!!) & Doobooloo Maxed Out PPA w/ STEPs and PPL's Diamond buffer Speakers:Paradigm Reference 100 V.3 being driven by Sony TA-N/E/P9000ES Combo |
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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I thought the KGSS/OII was far from a relaxed sound. However they did sound sort of average out of the old Stax SS amp (717?). I am the anti-relaxed sound type
![]() And I thought the KGSS did a hell of a nice job driving them as well. Getting the right fit is a bit of a chore.
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SB3 → Parasound D/AC 1100HD / music hall MMF-5 → audio space galaxy 34/Stax SRD7-pro → Stax Omega II mk1. |
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I think like everything else there are no universal truths in headphones and when some folks insist on stating their opinions as fact (as has been done repeatedly in this thread) it doesn't help any. Example, I've heard the HE60s driven by a KGSS, sounded fricken great to my ears. But then again I though the same thing about the HE60s driven by a T-Amp through a Stax transformer box so maybe my ears just suck? Or maybe I don't have a definition of what the perfect "sound" is and therefore I am able to enjoy a wider variety of headphones because I'm not comparing them to any sort of expected ideal.
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Home Rig: CD73 or SB3 -> Hertsens DAC -> The Menace -> HD650's or Ian Modded HF-1 #8 Soldering Rig: Macbook -> Duet -> SimpleSE -> Ascend Acoustics CBM-170 Certified DIY Junkie -Specializing in cutting round holes in metal plates since 2004... First Law of Physics: A spatula will not fly a straight trajectory if hurled by an angry oral hygienist.
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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Sexy custom titles are cool.
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Hirsch back to being the biggest Singlepower shill again, acting like the Wizard
in the Wizard of oz trying to distract the audience with bullshit. Same thing as sacdlover recently trying to convince people that the extreme and the woo audio are completely different when they are exactly the same. See people hear one thing and then try it apply it to something completely different. With tube OTL amplifers DESIGNED FOR DYNAMIC HEADPHONES, (every one of them except for mine) you need output capacitors. Because of the impedance of those DYNAMIC headphones the ratings on those caps have to be something in the range of AT LEAST 200 microfarads. To make a really good cap (ala the audio note caps) that value with silver foil and teflon would end up with something the size of a large garbage can. And don't even ask how much it would cost, as no one would ever build such a thing. FOR ELECTROSTATIC AMPLIFIERS designed for ELECTROSTATIC HEADPHONES the numbers are completely different. Omega2 headphones are a 170 kohm load at 10khz. An output capacitor of .1uf is absolutely plenty for a frequency response absolutely flat between 20hz and 20khz. You can make (and in fact buy) really good audio note caps that value. You will still not like the price. Comparing an ES1 with or without OUTPUT capacitors to an equivalent OTL dynamic heaphone amp is without any meaning. No the ES1 does not have any OUTPUT capacitors. It certainly does have coupling caps at the input of the OUTPUT stage. How good those caps are depends on how much money you want to spend. I'm sure mikhail will even use the gold foil caps if you throw enough money at him. Yes the best amplifier in this case would be all tubes, and completely DC coupled input to output. It is very expensive to do it this way, lots of extra parts, and lots of power supply voltages. If you are completely whacked you can even do the whole thing (all 3 stages) with DHT's. Mikhail has made a good business out of selling ES2's at $15k to $20k. I wish him continued success, and i'm sure that the limited number of customers at that pricing level are absolutely thrilled with the result. |
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We can talk about that all DHT amp when I'm done building the next BH...
![]() On a side note... the SR-Sigma Pro 404. I've said that this was a good headphone but I hadn't used it with the BH until today and all I can say is wow! Who knew that a Sigma could be this good and output enough treble and bass in the process. There are still some colorations from the box but they can be minimized by using a better glue so now it's down to a small thickening of the lower midrange and light reverb effect to the vocal area. It's certainly a welcome change from the bass bloat of the earlier models and the shut in sound. The Sigma Pro was always a bit of a disappointment for me as it simply traded the musicality of the normal bias model for a thinner sound that was nothing special except a bit more output at both the HF and LF. With the 404 drivers there is a tight and controlled sound stage which lacks the depth of a Sr-007 but puts the Lambdas to shame. The treble is still a bit rolled off when compared to other, less strange designs so cymbals lack the last bit of sparkle and guitars are a bit subdued but compared to the other models it is no contest. The midrange was always the selling point of the Sigma range and it is no exception here. It's a bit larger then life but that's why I like the Sigmas. The bass is tight... real tight with only the hint of a slight boom. It is a bit spotty though with a few irregularities here and there in the response and the housings soaks up too much of the energy for its own good but it is a welcome change.
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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It's weird, my amp only has four 50 microfarad caps [one for each channel], and it sounds great with the K340s. Even with the Grado RS-1's it sounds very good, though the bass could use being tightened up a bit. That might just be the flat pads I am using now though. I need to get a pair of bowls and do a comparison.
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"The monkeys are the cables, the dresses are the ERS Paper, and the dancing is the jitter." - Patrick82
modded akg k340 w/headphile blackgold < mcalister audio massive attack < moon audio modded original cd-2008 mkii |
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"Relaxed sound" is exactly why I didn't pick up the SR-007 yet. I really do need to hear it on a variety of amps, but since a) I can't stand solid state, b) I like an aggressive but full sound, and c) I don't have bottomless pockets, I don't think I can drive the O2 properly. Just about the only thing I can do for it is get a transformer box and use my 18WPC Dareds, and hope it will be enough.
It's a bloody shame, since I do miss the planar sound, but I just don't see any options that can outperform my current rig - save maybe for the EH-1.2B, but I think I'll wait until the FOTM dies down on these. My rig trashes the SR-404 on so many fronts that whatever I get will have to be in a different universe sonically, and it's one hell of a leap of faith to shell out on an unknown quantity which may not be better... or a known quantity which I probably can't drive to the proper level.
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Procrastinators of the world unite!
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I would wait for the 1.2b FOTM to die down to get some solid feedback. You also have to read between the lines as owners ofter refrain from posting negative comments from the fear of getting mauled by the other owners. It's not pretty to be on the receiving end of that...
There is one "budget" option for driving the SR-007 that I'm going to look into but it will be DIY unfortunately. That is to use the massive transformers from a Koss E/10 (the adapter for the ESP10) and hook it up to a 580v bias supply. They are about 4 times as large as the Stax transformers so the necessary current should make it through.
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Main rig: APL 3910 32bit -> No amp at all... (BHSE when ever it will be ready and a few DIY amps under way)Computer rig: Trends UD-10.1 -> AudioZone DAC -> Stax SRM-717 Headphones: Stax SR-Ω, SR-Ω w/SR-007 drivers, SR-007 and SR-1 |
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My first tongue in cheek comment really sums up how I feel about such comparisons though.
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DIY/Lenco Idler -> Audio Technica AT-1005 mk2 -> Ortofon SPU Mono -> PassDIY Pearl |
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I was thinking along similar lines, not in that I have any kind of DIY skill whatsoever or know my ass from a hole in the ground when it comes to amps, but what if I could find some DIYer to simply build an upgraded transformer box for the SR-007 the sole purpose of which would be to give it the juice it needs, and then use a speaker amp? I doubt that would be any more expensive that any of the other less-than-ideal options in my price range. If this setup is a bit less transparent than a BH or any seriously solid 'stat amp, then so be it; I'm more worried about waking up the SR-007 than maximizing its resolving power.
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Procrastinators of the world unite!
(tomorrow) |
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Home Rig: CD73 or SB3 -> Hertsens DAC -> The Menace -> HD650's or Ian Modded HF-1 #8 Soldering Rig: Macbook -> Duet -> SimpleSE -> Ascend Acoustics CBM-170 Certified DIY Junkie -Specializing in cutting round holes in metal plates since 2004... First Law of Physics: A spatula will not fly a straight trajectory if hurled by an angry oral hygienist.
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f = 1 / (2 * pi * r * c) (3db point) So for 300 ohm headphones f = about 11hz with 50uf want the same thing with 32 ohms headphones, guess how much |