![]() |
|
|||||||
| Register | Donate | FAQ | Members List | Calendar | Downloads | Search | Today's Posts | Mark Forums Read | Chat Room [5] |
![]() |
|
|
LinkBack | Thread Tools | Display Modes |
|
||||
|
After blathering in several different threads about photography, and blindly looking around for an already extant thread, I'm making this one. The purpose here is for me continue to natter on about my mad obsession with light painting, and maybe even get a response or two. I've just posted about my issues with cross processing and slide film development, as well as discussing lenses in the recently bought thread.
__________________
Source: Adcom GCD-750 Amp: Gilmore Lite Cans: HD-650s, DT-880s, HD-590s, HD-280s, TakeT H2, lots of Koss Speakers: Quad 12L Actives (now in matching black) Tweaks: Lagavulin, Talisker, lack of sleep. |
|
||||
|
After a frustrating experience with Ritz Camera, I just got off the phone with Iris Photo. They do cross processing of film, but only slide film as print film. I probably should have known this, but slide-as-film is how 99% of cross processing is done. Film-as-slide processing is "reverse cross processing" and almost never done, as it's bad for the chemistry of the developer, and generally wrecks the film.
![]() As a bonus, Irish has an overstock of Fuji Velvia 50, and is selling it for $6.50 a roll. Of all the film stocks to have an excess of... wow. I'm leaving shortly to buy them out get a few more rolls for my MV trip. Apparently, Velvia stands up very well to cross processing.Canon EF 17-40mm F/4L + Velvia 50 + cross processing = psychedelic landscapes.
__________________
Source: Adcom GCD-750 Amp: Gilmore Lite Cans: HD-650s, DT-880s, HD-590s, HD-280s, TakeT H2, lots of Koss Speakers: Quad 12L Actives (now in matching black) Tweaks: Lagavulin, Talisker, lack of sleep. |
|
||||
|
Cool! I was thinking of starting one myself here but wasn't sure so I didn't.
If you would like to process slide as film why don't you start doing it yourself? Chems are still available and not that expensive. That is cheap for the velvia 50, wow. And it's a gorgeous film. Do post up the results, would love to see that. Good luck with the shooting!
__________________
Portable Rig:
Ipod 160gb Black ---> Larocco PRII MKII AD744 Mod ---> Proline 750 Home Rig: Powerbook G4 ---> Apogee Duet ---> RealNate Cable ---> Akai AM69 SpeakerAmp ----> Ultrasone Edition 9 #338 Photography Contrastique |
|
||||
|
Knuckles, if you're serious here are the DIY instructions:
Kodak Flexicolor Process I use a CPP2 to DIY B&W and E-6. And now you have my creative juices gurgling so I might have to abuse some C-41, I've got a bunch of expired tungsten E-6 willing and waiting. |
|
||||
|
Quote:
|
|
||||
|
I'm mobile, stealing wahrless internets from some unsuspecting donor, so no time for a proper reply.
The $3 price for the Vivitar per unit in lots of 100, I am afraid. I got one of eBay for $12. I ran a roll of junky ISO200 print film though it. Results are amusing, I'll post some examples later. Re: developing film myself. That is definitely in the future. I am currently in the process of renovating my house. I'm going to turn the downstairs bathroom in my house into a darkroom. Initially, I'm going to teach myself to develop black & white film, but I plan to work up to color film, and then cross processing. That will all take time of course... Now, the real subject I meant to post about: I just got back the slides and scans from the first roll of Velvia 50 I ever shot. It is officially the best film stock ever. I have never seen blues or greens the beautiful before. I'll post results when I'm at home.
__________________
Source: Adcom GCD-750 Amp: Gilmore Lite Cans: HD-650s, DT-880s, HD-590s, HD-280s, TakeT H2, lots of Koss Speakers: Quad 12L Actives (now in matching black) Tweaks: Lagavulin, Talisker, lack of sleep. |
|
||||
|
Velvia 50 lives up to its reputation. This is the first frame off the roll. Jernegan Pond, which sits at the edge of my property on Martha's Vineyard, is one of my most covered subjects. I've shot it with a Sony Mavica (blech), Canon PowerShot S60 (regular and HDR), EOS 30D (ditto), several different film stocks, and a menagerie of lenses. This might not be the best picture I've ever taken of it, but it's effin' close. I suspect if there's a better shot, it's somewhere on this roll of Velvia 50. I haven't uploaded any other pix from the Velvia roll yet. I'll try to get to that in the next couple days. I've uploaded some shots taken with the Vivitar Ultra Wide & Slim as well: Film was some generic ISO 200 store brand. There's a couple more shots on my Flickr page. Those are nice shots you posted, Cankin. That last one illustrates a fun aspect of the camera: the wacky flare it produces when you shoot it into the sun. Do you remember what film stock you used?
__________________
Source: Adcom GCD-750 Amp: Gilmore Lite Cans: HD-650s, DT-880s, HD-590s, HD-280s, TakeT H2, lots of Koss Speakers: Quad 12L Actives (now in matching black) Tweaks: Lagavulin, Talisker, lack of sleep. |
|
||||
|
I was using some Walmart brand film(ISO400), another fun aspect of this camera is that, you don't have to compose seriously, just shoot
![]() I can't wait to try this tomorrow, film is fun! ![]() BTW, what did you scan those pictures with?? I'm thinking of getting a cheap flatbed scanner which can scan film as well, but I'm not sure how good/bad they are.
__________________
DacMagic > Balanced Minił (coming) > HD650 iPod > ER6/HD201 |
|
||||
|
Quote:
|
|
||||
|
Quote:
Quote:
__________________
Source: Adcom GCD-750 Amp: Gilmore Lite Cans: HD-650s, DT-880s, HD-590s, HD-280s, TakeT H2, lots of Koss Speakers: Quad 12L Actives (now in matching black) Tweaks: Lagavulin, Talisker, lack of sleep. |
|
||||
|
A few more picturess from the first roll of Velvia 50:
It really is a challenging and rewarding film stock. There are a number of shots on the roll where I like the framing, but the exposure is off by a sufficient margin (which isn't much in V50) that I can't use them. I've learned a few things that might be obvious to a more skilled photographer. First, never EVER shoot Velvia with the sun in frame. Secondly, try to compose so that the entire frame is illuminated more or less evenly. Velvia 50 is very high contrast and has a very narrow dynamic range. I will be applying these lessons to the next roll I shoot. The only wrinkle thus far has been this: I am so pleased with how Velvia 50 looks when conventionally processed that I am now less interested in subjected it to cross processing. I am sure I will tackle that at some point.
__________________
Source: Adcom GCD-750 Amp: Gilmore Lite Cans: HD-650s, DT-880s, HD-590s, HD-280s, TakeT H2, lots of Koss Speakers: Quad 12L Actives (now in matching black) Tweaks: Lagavulin, Talisker, lack of sleep. |
|
||||
|
Nice shots.
__________________
"Hooray for the collapse of civilization!" "Down with democracy!" I remain,Dirty Laundry Will Out. In Russia, Fascism embraces you. :-Peter, aka :-Dusty :-(halk |
|
||||
|
Nice shots. The blue is indeed awesomely blue wow! Long time ago when I worked with slide film. Makes me wanna go out and do it again, also the cross processing.
__________________
Portable Rig:
Ipod 160gb Black ---> Larocco PRII MKII AD744 Mod ---> Proline 750 Home Rig: Powerbook G4 ---> Apogee Duet ---> RealNate Cable ---> Akai AM69 SpeakerAmp ----> Ultrasone Edition 9 #338 Photography Contrastique |
|
||||
|
Flickr: keenangarreth's Photostream
My gf and I took some pics this weekend, let me know what you think. |
![]() |
| Thread Tools | |
| Display Modes | |
|
|