complin
-
Posts
282 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Posts posted by complin
-
-
I cant really say personally what the Qualia is like as its one of the few top headphones i've never owned or heard. I think someone else on this forum might have owned a set. I would be surprised if it has the same sort of tonality as the O2. In my experience I have not heard anything much that can rival the overall attributes of the 02 (except another Stax or electrostatic). However; some dynamics can do things in different ways to the 02 that IMHO still make them worth listening to, even though they may be flawed in different ways.
Many people go for dynamics over electrostatics for the supposed superior bass and on first hearing yes it has impact, sounds full, and prominent, but on closer and extened listening its really an illusion. Spritzer sums it up well as "one note bass", and the more you listen you realiase that the bass on many dynamics is not that articulate, and you really cant differentiate the bass line and textures that well, unlike the 02. The headphone that has impressed me recently in this respect is the Audeze LCD-2, really articulate tuneful bass, and to my ears similar tonality to the O2. However; I still feel the 02 is superior overall.
Here is the link to the RKV My link. Produced in Germany they dont appear on the market that often so you might have to wait a while before one turns up. They appear to be more plentiful in Europe than the US and as far as I can remember I paid about €600 used. The one I had was best I feel with the telefunken tubes, but as the K1K needs a lot of current sometimes on big transients I felt it was underpowered. The K1K is better with something about 10 to 15 watts into 8 Ohms, more like a good speaker amp. I have a friend who uses an ASR Emitter 280 watts into 8 ohms for his K1K's.
I would love to build some of Kevin's designs but just don't have the time as I dont know where i'll be working from one month to the next. Perhaps a hobby for when I retire (if ever I can afford to)
complin, that's actually one of the main reasons why I've considered the Qualia more than the R10. Judging by what I've been reading, it apparently tries to achieve the same sort of tonality as the O2, is that right? It's one of the headphones I really really want to try someday! So expensive though... about the Audio Valve though, I can't find much about it, it seems to be pretty rare! How much does a used one tend to cost? And regarding DIY, as much as I'd LOVE to learn, I don't think I have the skills! If it was just soldering following pictures it would be fine, but I suppose some knowledge about circuitry and basic electronics are needed, and unfortunately I don't have any of those!
And you know, not long ago I started to understand what the other forum and most of its members really are. Not that it doesn't have its merits – it does, a lot of it in fact, and there are so many really amazing people there! But at the same time, I started to understand what head-case stands for and what you guys are trying to accomplish here. I really admire this!
Horio and Clarkmc2, do you guys think it's possible for someone without any DIY knowledge of any sorts to build one of those? As I said to complin I'd love to learn, but I don't think I've got what it takes...
-
I dont think you will find the Qualias or the MDR R10 anything like the K1K, its like comparing chalk and cheese
As Tyll said the the Nelson Pass amps have a good reputation with the K1000, particularly the First Watt F1. Also the Audiovalve RKV and possibly Red wine Audio. Personally I use mine with a speaker amp setup, the EAR V20, but its rather expensive just for the K1000's alone.
IMHO the nearest thing i've heard to the K1K in terms of soundstage are the 30 year old panoramic Stax Sigmas. The Sony R10 are a completely different animal to the K1K, more laid back, with a rich enveloping sound(a bit like the 007's). At first like all great headphones they dont impress but for me one of my favorite dynamics. I cant comment on the Qualias as i've never heard a pair but understand they can be very analytical and bright sounding, perhaps more so than the K1K. Also heard its difficult to get them to fit and seal properly which is why I believe many peopel have sold them for that reason. They have three headband sizes (S,M,L) with the M size being a little large for most people's heads.
Yes you will find a lot more sanity here than the other place. People here tend to speak from and share actual experience and tell it as they see it (please or offend
) In the other place you find many recommend stuff they have never owned let alone heard.With this community being into DIY in a big way perhaps you could consider building something for your K1K's? If I had the time (and expertise) i'de love to try and build one of Kevin's designs.
-
A lot less than having to find an original T2 or build one. The sr-009 is just amazing
on both the BHSE and the T2.
You will see and hear soon enough.
Well it took me years to get hold of an original T2 and it was worth every penny (dime), simply transformed the 007!
However Kevin you can't make statements like this and leave us hanging, come on spill the beans what is the SR-009 like.
Just give us a taster of your experiences so far
-
The price of old 70's receivers is unbelievable.
i had a couple of old Marantz units I paid $5 and $20 for.
When I got tired of looking at them, I put them up on craigslist
And almost got run over by a stampede. There are old units worth
the Big $$$, and then there's just old stuff. When did "vintage"
replace "tired old crap"? There's some really great old gear out there,
but much of this stuff isn't it. At minimum, it's going to need re-capping.
The sr40 setup does sound good, with no balance issues at all.
The earpads are flat, and it doesn't look like I'll be replacing them anytime soon.
I use the extension cord(5 or 6 pin style) and sometimes use the sr40 for testing.
Very true but have you thought why?
It because people have realised this stuff can sound great when refurbished and likely to last another 30 years
Unlike this Chinese crap that breaks in a couple of years and you cant get repaired. I've got several 70's and 80's amps and receivers and have no intention parting with them
-
Maybe inappropriate to ask, but how likely is the disaster in Japan to affect prices and exchange rates?
Its pushing up the value of the Yen which is why the central banks are intrveining to try and bring it down in price. Otherwise the price of Japanese exports will rise which not what they want. Could make 5 to 10 % difference in price.
-
Hey Guys, At the other place i've noticed that the number of LCD-2's coming up for sale is gradually increasing. Also people dont seem to be hanging onto the Audeze for very long, perhaps just a month or two. According to 6Moons these are the holy grail of headphones with the ALO audio cables
I have personally never heard a pair and dont know anyone who has, so cant comment or had a chance to borrow or evaluate. Having tried most of the high end dynamics on the market over the years (AKG 701/1000, Sony R10, AT, Beyer, Sen 650/800 et alt) I always gravitate back to my beloved Stax 007, they just sound so right to me. A recent forray with a pair of Sennheiser HD800 have convinced me even more of this, even though they have a wider (if not natural) headstage.
I would be interested in your comments why people seem to move the Audeze on quite quickly. Is it that people just want to give it a try, or are there other reasons like comfort, weight or tonal balance?
-
i would GUESS that dealer price is around 3700, in the U.S. but that guess comes from old information
Woo Audio are quoting $5250 but dont know what sort of profit margin Stax or their importer offer to retailers
-
Well it really depends whats going to happen to the Yen exchange rate.
Its has been strengthening a lot of late that will no doubt increase the sale price in the US and Europe. Depends if the intervention by central banks intervention manage to reduce or stabilise the value of the Yen.
I understand the retail price in Europe will be around €3300 or £3000, so not exactly a cheap buy. So with the poor economic situation across Europe I cant see them flying off the shelves.
-
The SR-Lambda is one of the best headphones you can get at any price with very few flaws. The bass could be deeper, the treble more clear but the musicality is hard to deny.
Is this the SR-Lambda Pro or SR-Lambda Normal or Signature?
-
What got me about the Zana was how it's unlike other tube amps - where's the coloration? I've heard tube amps that are quite warm, lush, tubey - the SDS being the perfect example here. And then I've heard tubes that run the opposite end of the spectrum and are even somewhat aggressive in the upper mids/lower treble area. The Zana sounds neutral, just totally unbiased towards any part of the spectrum. Grain-less like good tubes. Great slam & dynamics like powerful tubes. Tonally natural like great tubes, not at all tonally sterile like most SS. Not tonally soft, not hard. Fast & resolving like any great amp, tube or SS.
I must admit I'd become used to the warm organic sound of the SDS and the extra "kick" it adds to the bass. The result is totally unfatiguing and a good match, to my tastes, for really hard rock and metal. It also happens to sound excellent with really good recordings of slower stuff. The Zana, however, seems to be optimized for the good recordings. Of course it can still really rock down with heavy stuff like Iron Maiden, Iced Earth, and Judas Priest (I was listening to Judas Priest "Sin After Sin" tonight and damn did it sound sweet on the Zana!) - but the Zana seems voiced more so for the best recordings. I reserve the right to tweak my opinion on this matter in the future
Stuff that seemed just right for the Zana included my LP's of: Steely Dan - Aja, Michael Jackson - Thriller, Dire Straits - Love Over Gold, Cat Stevens - Teaser and the Firecat, and Madonna - Madonna. It's amazing the cleanness and separation with which the Zana can render these albums. When I listened to Aja for the first time, it was completely mind-blowing how distinctly reproduced each layer of music was, totally unaffected and uncolored by any other layer, and how as a result they all summed to form a much greater whole. It's like when the brain doesn't have to spend the processing effort to separate things that have been blurred together along the audio chain, the analytical side of the brain can shut down and the creative side of the brain is left to observe in awe. The Zana excels at this kind of stuff.Anyways, I'm really enjoying the Zana Deux so far. The SDS is currently unplugged (ran out of rack space), so I'll need to do some more formal comparisons with the Zana later on. The Zana Deux also seems to be excellent as a preamp. Really, really excellent. With prices from all the major manufacturers' top amps seemingly on the rise, is the Zana Deux the last "bargain" in high end headphone amplifiers? Recently, $1900 doesn't seem the overly generous budget it used to be...
Pics:
So has the Zan surplanted the single power in your affections?
You seem to say that the SP's have a house sound that you would not describe as neutral or life like?
I feel this to be tru but have been having a converstaion with someone else at the other place who insists this is wrong. I just cant saquare his opinon with what ive heard myself!
-
I did design an amp for the TakeT... Plenty of drive oomph.
No way to test it yet...
Those things definitely eat lots of current.
Hook them up to the primary side of a push pull tube amp. 60 watt
amp should be plenty.
Any chance this is based on your new BHSE design?
) In the other place you find many recommend stuff they have never owned let alone heard.
Should I give up on the K1000?
in Headphones
Posted
I'm surprised you wrote off the LCD-2, but mine is a recent version with new pads and cable, so might be worth giving it another listen if you have the chance and inclination.
Yes after the 007 with a decent amplifier (BH et alt) there's not much else that competes at that level, except perhaps the Sennheiser HE90/HE60. I'm looking forward to hearing the SR-009 which will hopefully be a worthwhile advancement. I think you should persevere with your K1K's so long as you dont blow too much money on trying different amps.
If your reference point is the 007 I doubt you will like the HD800 as IMHO it sounds atrtificial and strained in comparison, i'm at the point of giving up on mine. The GS1000/PS1000 are the only grado's I can wear for any length of time, as generally find the others models very uncomfortable. They are expensive price performance wise to the 007 and coloured, but none the less can be enjoyable for low level listening and seem to work well with modest equipment.