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nopants

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Posts posted by nopants

  1. Let me aggregate some of the details so I'm on the same page:

    1) R1, R3 = 422r (CCS resistors)

    2) R13, R15, R28, R30 = 402r

    3) Targeting -/+20: 

    AMB regulators: sig78 10K and 133K, sig79 10k and 160K

    4) LED =  LTST-C170CKT 

    Using the AMB stuff we can just leave the underside of the PSU section unpopulated

     

  2. some of the more obscure audio forum discussions suggest that the clocks necessary for this kind of upsampling aren't up to snuff, with respect to jitter etc. I can see the utility in being able to handle all these different formats though, I just never really got into DSD formats

    Seems like all the switching would wreak havoc on this kind of system too but that's just my conjecture

  3. 23 hours ago, mypasswordis said:

    I'll definitely check out the Yggy and Holo Spring at the NYC meet, but probably won't ever find a Segue to hear. Did you end up repairing your Spectral? 

    Spectral was charging me like 175/hour with a minimum of 3 or 6h to have it repaired, plus parts costs (the feet melted off). I ended up selling it for parts. It was a real shame, I liked the sound but the experience of owning one was such a pain. 

    Funny you mention cetoole, I think I have like 5 of his I/V boards lying around somewhere. 

  4. On 12/7/2016 at 2:10 PM, mypasswordis said:

    Nice, which DACs use PCM56? I wanted a PCM1704 DAC in case of 24 bit high res but to be honest, I don't think anyone cares about HRA outside of some audiophiles. Also, you seem to have collected a ton of R2R DACs over the years. Any thoughts/preferences?

    I think the MHDT Havana uses the PCM56, nothing particularly impressive. I was more throwing it out there if you wanted to try it out in a DIY affair. 

    There are quite a few factors but I've never come across an R2R that I didn't like, mostly because they all have a similar quality where the treble isn't harsh. Lets me listen for hours on end, which is usually how I benchmark my equipment these days. I've mostly convinced (deluded?) myself into thinking that this is the correct way to reproduce treble. The soundstage presentation has always been different enough for me to prefer them over D/S solutions as well, mostly wider to keep things concise. Just a bit of context.

    I think among all of these I've enjoyed the AR-T Segue (AD1862) and the Yggdrasil (AD5791) the most among the ones I've owned at this point (Adcom GDA600, Spectral off the top of my head). Of course those are the only ones I ended up keeping. I was attracted the Yggdrasil because of the marketing hype surrounding the closed-form filter. 

    I'm mostly interested in rolling my own balanced kludge at this point, to see if the AD1862 lives up to the hype if you invest some effort into modernizing all the different stages. Unfortunately I lack the willpower (brain) to do something like implement my own filter, etc. Not to mention all the repeated whining I do over SPDIF. I'm curious to see what Kevin has in the works for his DAC.

    On that note I need to find out how to see how to modify the PMD100 for use where an NPC filter currently sits...

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