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purk

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Posts posted by purk

  1. Yes...get the one with less bass recabled. Mikhail told me that a highend SP amps can really bring out the best in R10s. IMO, Mikhails slightly prefer the R10 with less bass than the one with more bass, b/c the less bass pair is more accurate sounding. It also has better seperation instrument, midrange, and air surronding recording.

    True, even the R10 with more bass doesn't have a lot of bass impact. I would prefer a bit more, which means the R10 with less bass can seem really lacking in bass. It can be especially jarring when switching from the HD650, L3000 or O2.

    Mike, why don't you join in a bit and answer some doubters here? Mike stopped by yesterday to listen to my setup HEV-90+HE90, SDS-SE w/ Both versions of R10s, and L3000. C'mon Mr. Ulveling.

  2. I don't object to following the crowd as long as the crowd know what they're doing, promoting things for the right reasons (i.e. it sounds good) and backing it up with experience. Unfortunately HF has too many people promoting products as the best thing since sliced bread because they're lacking good reference points or have an axe to grind. I wouldn't claim to have experienced enough myself but I don't run around making wild statements about how my preferred gear is better than everything I haven't heard...that's something that is all too common on HF. I must admit I also have a healthy dislike for censorship on forums although in that regard I have seen much worse than Head-fi.

    Oh, and welcome to Head-case Elephas. :)

    I agree with what your are saying. For instance, what is the crazed about the imod and V-dock combo anyway? For the price (550 for iMod and another 550 for V-dock), you can get an Ihp-120 + Benhmark DAC for much better sound quality. Also..headfi has way too many fanboy. You can't comment negatively on a product any more. I was only beg to differ on the whole V-dock thing but the mod came in and comment that it is nice to have a new product.

  3. Well....I've been talking to Elephas and he was one of the first adopter of the Apache (he yet to receive the amp though), so we need to pursuade him to get rid of that amp and buy something else that can really give his R10s and L3000 a good amplification.

    Elephas, don't get me wrong...but for the price you paid for that amp...you could have purchased a Single Power Supra or Extreme Platinum. Those amps can be configured to drive any headphone out there.

  4. Iron_dreamer,

    I don't think you will miss the Ed.9 as I think the L3000 is a better headphone all around especially in term of textured and tonality. The bass is the Ed.9 main strenght. I could see all the bass head really diging that headphones. I however, can't seem to get pass the midrange. It isn't that bad but the midrange is lacking the details and textured of the HD-650 when properly amped.

  5. I didn't think they were that great for hard rock/metal, either. Having natural tone & bass response is usually still a big plus for those generes. Unfortunately this isn't like 3 years ago, when the HP1000 could be had under $700 and a new L3000 for $1500. The Edition 9 is perfectly positioned to look like the prince of the current dynamic world, but really it doesn't do anything to elevate it above the far cheaper DX1000, HD650, possibly K701 and others. In fact I prefer the HD650, DX1000, and possibly K701 to the Ed 9 regardless of price. I feel pretty confident the Ed9 could compete with at least the HD600 and RS1, though :laugh:

    I was excited about them for a while because they sounded pretty damn decent (but not great) out of the box - from all the hype, I was expecting for them to transform and blossom after sufficient burn-in, ala L3000. First 20 hours came and went, then 300 and 350, a bit nicer but no major change - my issues with its main sonic quirks had not been addressed. Then I started to give up on them for good :P

    Yeah...I see what you mean...but then again I don't really listen to a lot of rock; therefore, you have a better judgement. The thing is the UE9 just sound very weird on everything else in exception to rock. For example, I was enjoying their thumping bass but what else is to love? I mean seriously.....and now the whole headfi are in FOTM mode on the Ed.9 again. All you those Ed.9 has to do is to compare their beloved Ed.9 next to the a properly amped HD-650 or HP1000, PS-1, and L3000. Seriously, for what you paid for the Ed.9...you can buy the HP1000 for around that price and the HP1000 is a much more refined. (BTW, I really want to trash talk them...but I have to be polite on headfi.) :D

  6. Just in the past week, there got to be more than seven or eight thread devoted to the Ed.9 and how special they are. When I had Mulveling's Ed. 9 (he now sold them) for three week they sounded very good over all for rocks but I found them unnatural due to their recessed midrange and the whole "S-Logic" presentation for other genres. If you are a rock and heavy metals fan, they are quite good, but for everything else they are not even as good as the Senn HD-650 w/ my Zu cable. I found the Ed.9's to be way over emphasis on bass and lack refinement in many areas in comparison to the L3000 and W2002 that I have on hand. What's your take on them? I'm quite curious. My impression of the Ed.9 was very similar to Mike but they seem to do no wrong on headfi right now. Again, they sound very good for rocks...but still rank behind the L3000, PS-1, HP-1000, HE90, and R10 and probably slightly better than the RS-1 for rock. I yet to see any L3000, PS-1, and HP-1000 owners are raving about them. What do you guys think?

  7. I have fairly small ears and the L3000 are perfect. The drivers don't physically touch any part of my outer ear.

    The imaging on the L3000 is one of its strong points.

    Yes...the image on the L3000 is definitely one of their best quality as well as their ability to be very forgiving and remain very musical in entry level gear.

  8. That's the ONE area I'd consider fairly consistent between the L3000/W11jpn/W2002/W5000/W10vtg...

    They've all got that intimate feeling, medium-sized soundstage/headstage. Other than that, the sonic balance and quirks can be all over the place between various models.

    And yeah, the pads are all the same with the exception of the W5000 (a bit bigger).

    Mike,

    I believe the W2002 and W5000 have slightly bigger soundstage than the L3000, W11JPN, and W10vtg.

  9. Yes, I'm ashamed to say I indulged my need for a spare L3000. Luckily I got both while they were still relatively affordable, back in summer '05. At least I'm not as bad as those R10 collectors/hoarders ;);D

    The only other headphone I've owned two of at once was the W2002, and that didn't last long since I never listened to them.

    Yeah...Mike has two pairs of L3000 and spare drivers. Damn you Mike! :o

  10. What is a W11JPN? It sounds like a name for a wireless router

    Justin,

    The W11JPN is the predecessor of the W2002 and L3000. It was released in 1998 as a limited run of 800. The lacquer finished is the same as the W2002's but darker. The size of earcups are also smaller than the W2002, W5000, L3000, and W1000. They sounds great and are very difficult to come by. Here is the pic of my old W11JPN, which is now belong to Agile_one.

    IMG_6300.jpg

  11. Yeah, if I were to send it in, I'd also get the higher voltage mod for the 6BL7GTA/6BXGT/etc tubes. However, the thought of being without it for 2+ months, plus the shipping costs, plus the risk of shipping - has kept me from doing so. That's why I wanted to know if there was any special thing to the preamp outputs; otherwise a simple adapter will do fine by me.

    Now the clicking mentioned by Dusty Chalk is more troubling. I haven't experienced that noise myself, but I have noticed that the DC offset from the SDS can be rather high (via ratshack meter) - with the current tubes it can get as high as +/-50 mV, though it usually cycles around and spends most of its time at lower levels. Certain "bad" tube sets will get it as high as 100mV though :( The Sugden Headmaster stays within +/-5 mV DC, but of course it sounds leagues below the SDS :P

    With my new speaker rig being fairly spendy, I'd rather be safe than sorry, hence the motivation for this thread.

    The thing is...you can keep pushing it off and you will never get anything done. Remember, the upgrade I got really maxed out my SDS. The only option I didn't do is the audionote caps. Although, it took awhile to get the work perfomred but I'm much more happy in the end. Your SDS and my SDS are almost identical, therefore one listen should tell you everything you want to know about SDS as a preamp. I have sent my SDS to Mikhail twice in the last 6 months, one for repair an another is for the upgrade....so bite the bullet and send it in. If you really curious, why don't just drop by and borrow my SDS for 2 or 3 days and check it out for yourself.

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