So I've been listening more to the HF2, and I like it even MOAR tonight. This is the first pair of Grados that I can tolerate for more than an hour at a time. Just a very musically satisfying sound.
And I also have to add how pleased I am about how the HF2 pairs with the GLite. I've always thought of the GLite as being a touch on the bright side. But it really does a nice job with the HF2. And I also recall hearing the GLite with the AD2000 at an NYC Meet a couple of years ago; it was great, too. Conversely, I heard the AD2000 out of a rig at the last NYC Meet that made my ears hurt because it was so bright. Weird.
I think the post by "Art" after the review is a pretty good critique of Martin's piece:
I didn't have as negative a reaction, but I'd be interested in how Tom Martin feels about the 800 after a year with them.
I have been Grado-less for a while, so it's fun to have a pair again. And it's nice to know that I won't be looking for another Grado for a good long time. I also like how easy it is to change the pads, especially after dealing with my Staxen and AT woodies.
That said, the earpad foam material still sucks.
To take it a step further, I'm wondering if it is possible that the "Lot of 26" has the same error, except that the "1" in the Lot of 26 looks like a capital "I".
Is it confirmed that engravers were changed?
Can someone explain to me how this engraving process works? Does one choose a font, template, etc.? For example, would the manufacturer (i.e., Grado) typically hand the engraver a piece of paper and say I want thesem words engraved on the cups in such and such font?