The volume knob is press fit for the front half but the back is fixed with a grub screw. Take off the front panel and you can access the screw and fix it in place.
The rest is all shipping damage but Stax amps are very easy to damage in this way. Flimsy aluminum that needs to be supported properly.
The baffle is the crucial aspect of all dipoles so the pads are indeed a part of it here. Well that would also include the head as this is a sealed baffle design.
I use Belden mil spec 600V wire for everything, stranded naturally. Don't use the crappy cat 5 wire for high voltage, that insulation is easy to damage.
Funny thing was they started at Geysir and ended at Gullfoss.... #caugh# they are right next to each other #caugh# and Þingvellir is just across the lake from the hotel.
It's better to be able to see arcing and other burns should they occur. Also the traces are all but invisible on a black board which is far from ideal.
I need to watch that. Nobody here except some of the older people actually eat the bloody shark or drink brennivín but it's a nice way to poison the tourists.
I went to see Jimmy Carr here a few weeks ago and he called us on it. "Nobody fucking eats that!!" That and he called the Blue Lagoon a bunch of industrial waste water. Well it is...
So says Tara Labs. It also helps to make them in China but label them as made in the US. Not sure why that matters but anything that helps must be a good thing...
The SR-80 Pro shipped with a bog standard SRD-4 except it had gold printing on it. Well that and the SRM-Xs too which was just a Xh minus the bias supply.
There is no difference between the boxes whether they have bias or not. The SRD-6 not having protection resistors almost guarantees that it has suffered some damage. The SRD-6's also didn't have a power switch which has caused some problems though mostly on the headphone side.