Knuckledragger

"The Jury Room," Norman Rockwell, Saturday Evening Post, February 14, 1959

Liquor Store Parking Lot vs Laser Eye Surgery Parking Lot.

NONONONO IT'S TOO SOON FOR THIS THREAD GO AWAY.

ATTN: Birgir. https://www.standard.co.uk/news/uk/iceland-launches-readymade-scrambled-eggs-for-busy-workers-and-clueless-students-a3941456.html

Test Tone @ Home live right now: http://mixlr.com/illuminator/chat

I sent this to an aging punk rock friend. He said there were few surprises, but he didn't think Siouxie belonged on the sexist list. I told him about a photo I saw in /r/vgb/. He's current at work (he woks for ADBE) so I couldn't sent it to him. Instead I made a work-friendly variant. He said "point(s) taken."

I understood this reference.

More long form porn.

Test Tone @ Home live right now: http://mixlr.com/illuminator/chat

Test Tone @ Home live right now: http://mixlr.com/illuminator/chat

Just did some comparisons using my DJ software. First off, the Goog tells me that the original Dreams is in C major (no surprise there.) Dreams (Deepend Rework) (key of F) is definitely pitch shifted, hugely. Mostly for artistic effect. Stevie is all but unrecognizable. Dreams (Kaskade & L'Tric Remix) is a tougher one to pin down. I downloaded KeyFinder and it also thinks the remix is in D minor. I think the remix might change keys in the middle. I mixed it with song sin the keys of Am, C and Dm, and none of the mixes really clued me in definitively. Of course I am the farthest thing from a trained musician.

Long form amp porn.

It's done automatically and more than a bit questionably, by the software. I can manually assign key signature values, but I have neither the ears not the training to do so.

I've been obsessed with Fleetwood Mac's "Dreams" since the first time I heard it in the early 1980s. I think it's their signature song. It sums up the band's inter-relationships, dysfunction and cocaine usage perfectly. Just about everyone knows the studio version. Let's take a journey through some live versions. Live at some major festival, 2015. I dislike this one the most. Stevie's voice is going, but that's the least of my complaints. At this point the band is doing this for cash, and it shows. Lindsey Buckingham is a smarmy douche his awful personality just radiates out from him. Also, this live take manages to completely remove the balls from the song's famous bassline. Live, 1982. Only plays in the left channel. Stevie (and the rest of the band) are coked to the GILLS. Her voice is in tatters, the rest of the band is sloppy. This rendition is terrible, but somehow authentic. It really conveys the state of the band in 1982. Live 1977. Now this is magic. Steve's performance here is actually BETTER than the studio version. At 2:19 she hits the high note so beautifully that it actually causes Lindsey to look over at her for a second. It's goosebumps inducing. I can only imagine what it was like to be there at that show. Oh, and this is a peek in my virtual record bag:

Test Tone @ Home live right now: http://mixlr.com/illuminator/chat

Test Tone @ Home live right now: http://mixlr.com/illuminator/chat

Screenshot from a player's apartment in GTAV: Online:

This is the video I'd use to get people who have never watched AvE before to subscribe to his channel.

Mastering room in Utrecht, The Netherlands.

https://www.bbc.com/news/entertainment-arts-45264994