Dusty, I agree with you in theory, but most dacs filter that off anyway.
And I apologize for calling you a dope. That's just shorthand for "doing something that is seriously non-optimal, whether done in the digital or analog realm.
I didn't do 24/88, I did 24/44, because I'm not a bat. I do it sometimes for the theoretical advantage, but in the field resources are scarce, so I didn't capture data I didn't need. Bit depth I needed, higher frequencies than 22k I didn't.
It's theoretically possible in dac designs with no brickwall filter at 22khz (most have them) you might hear a difference, but I doubt it. But you're really not going to hear anything 96db below the loudest point recorded unless you're playing that loudest point recorded at 120dB.
I've done it myself a lot. I used to do a lot of location sound recording. Sample rate conversion can be heard, bit depth changes can't, if done with any care at all.
Ok, yes, if you turn the volume down digitally, then turn it back up in the analog realm, you can lose information. If you're doing that, tho, you're a dope.
Dusty, the dithering happens with the least significant bit. Yes, if you just truncate, you can get problems, but that's why you normalize first, then use noise shaping. At -96db, you're not going to hear the noise shaping, or anything else for that matter.
I disagree 100%. Especially when you start with 88.2/24. You could rather easily produce 44/16 that is indistinguishable in post. Sample rate conversion algorythms have a lot more trouble with 96->44 than 88->44, because with 88/44 they just drop half the samples. You lose the freqs over 22khz, but you can't hear those anyway. And the bits from 24->16 are just headroom unless you're listening over 96db.
I still disagree. If you turn it down to where you would have lost information in digital, you'll have lost information in analog, because you won't be able to hear it.
That's a lot more complicated than the bits available. At record time, more bits is helpful because it lets you keep the analog portion of the recording process in the sweet spot while leaving enough headroom that you don't run out of bits. Take the resulting file, and normalize it, and then convert it to 16 bits and you'll get exactly the same sound. 24 bits is a HUGE benefit for the recordist, it's just not necessary post-mastering.
You could bet it, but based on my understanding of what's going on, it's not. The bit depth entirely represent loudness, and the sample rate represents frequency response. Mostly what you hear between 44/16 and 96/24 is quality of mastering, and potentially quality of sample rate conversion and analog to digital conversion, but not generally a benefit from the actual sample rate chosen.
No one said oyu were a terrible person, but your posts are spammy. If we thought you were a terrible person, your posts would have been edited to be about feces.
You lose a lot of theoretical resolution. But when you turn down, the parts you can't hear aren't there. Whether you turned down digitally or via analog. And until you find something recorded in 32bit, you're not gonna have that space to turn down WITH.