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Showing content with the highest reputation on 11/08/26 in all areas

  1. Occasionally, I'll listen to the big ones. I like to space them out to keep them somewhat fresh. SACD
  2. Alan Parsons Project - in case anyone is wondering, the 2007 CD remasters sound fine to me. They might be a bit louder than the original CD pressings, but I don't hear any distortion or clipping. I got I Robot and Eye in the Sky (contemplating getting Pyramid, Eve, and The Turn of a Friendly Card as well).
  3. Nice, Adam! Me - not going to get any biking in this weekend due to rain but did manage to get out twice last weekend, including a favorite out-and-back to the coast. PBaseIMG_1285.jpeg by Nathan Maher
  4. I love the mad scientist part of the internet. I'm pretty sure his dwelling is wired up for more power than my entire neighbourhood.
  5. new Steven Wilson Music on TIDALSteven Wilson - Requiem for a VillageListen to Requiem for a Village on TIDAL in exceptional sound quality, or on your choice of service
  6. 1 point
    New vs. old. vs. miau.
  7. I wasn't aware of Yu-Mex* (Yugoslav-Mexican) until today. *In the immediate post-war period, Yugoslavia did not have much of a film industry and the majority of films were imported from the Soviet Union. Following the Tito–Stalin split of 1948, Soviet films were no longer shown in the country. At the same time, due to ideological differences, Yugoslav president Josip Broz Tito did not want his country to import American films. As a result, he turned to importing Mexican films. The fact that many Mexican films of the "Golden Age" glorified the Mexican Revolution and depicted ordinary Mexicans rising up against the oppressive Mexican state made Mexican films "revolutionary" enough to be shown in Yugoslavia. It was common for many young Yugoslavs to imitate the styles of Mexican film stars, who were seen as embodying everything that was "cool". Because many of the films shown in Yugoslavia in the 1950s–1960s were Mexican, everything Mexican became very popular in Yugoslavia and many musicians started to don sombreros to perform Mexican music, either singing in Serbo-Croatian or in the original Spanish. Doc on it...

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