Knuckledragger

58mm circular polarizer 58mm FLD filter 58mm 812 warming filter 58mm ND 2 filter 77mm circular polarizer Lowepro Filter Pocket Total cost: $42, or about half the price of the 77mm CP if I bought it new.

Even larger version here.

http://www.youtube.com/watch?v=gDW_Hj2K0wo

I dunno about the music, but that video was pretty cool. It reminded me of Donnie Darko, not furries.

I now have a pair of matching black 12L Active sitting on my desk. They're being feed directly via the balanced output of my Adcom GCD. This arrangement is suboptimal for a number of reasons, but it was simple, and there's not much in the signal path. It'll be weeks before I can offer any real insight into these things (I am ponderously slow at getting to know a piece of kit. I'll say this offhand, the Quads appear to be closer to the Gilmore "clear light of day" sound than the "beer goggling" of a Millett. I've already found one recording that I can't stand to listen to (the promo version of Kyuss - Sky Valley is mastered horribly.) The GLite + DPS perch quite nicely on the left speaker. I'll take pix ...real soon now. I've got to clean off my desk and get some of these building materials out of the kitchen before I even think of taking pictures.

Perique is some strong stuff. In my pipe smoking days, I mixed it with some other type of tobacco, usually English. I think I did smoke Latakia straight.

Managed to get out of bed and stack around 2/3 of a cord of wood. This is a fairly major accomplishment, as I've been seriously ill and mostly bed-ridden for the last 36 hours. I also took delivery of the replacement Quad 12L Active (hopefully black) and the shipping label for the cherry one. If all goes well, I'll get it in the mail tomorrow. For my next trick, I'm going to try to eat some solid food, and hopefully keep it down.

http://www.youtube.com/watch?v=Cfv28MNwyqg

I can get two people in focus @ F/2 with my 35mm quite often. To a lesser extent, with my 50mm as well. Thusfar with the 85mm, I've had some difficulty getting one cat completely in focus @ F/2: This is one of those instances in which both the fore- and background are quite fuzzy.

I have T-Mobile, I am eligible for a new phone in about two weeks. I for one am psyched by this development.

As Laxx said, aperture is the main advantage prime lenses have over zooms. Discounting the two nutball F/2 zooms for the 4/3rds system, the fastest zooms are F/2.8. Most zooms start at F/3.5 or F/4 and shrink down F/5.6 at the long end. Constant aperture zooms, especially F/2.8 ones, are quite expensive. Wider apertures are possible with prime leneses, but they can be pricey too. Canon's 50mm F/1.8 is under $80, but it's built like a toy. The F/1.4 version is more than four times that. The 50mm F/1.2L is $1200, and IMJO, complety not worth it. The long-discontinued EF 50mm F/1.0L sells for more than an HE90 on the used market. There are some very good primes that aren't bank-breakers. The EF 35mm F/2 ($250) is the best deal in the entire Canon lineup. The EF 85mm F/1.8 is also a steal, especially for photographers overly concerned with bokeh. If you don't know what that is, consider yourself among the sane. Primes have several other optical advantages, they are often sharper than zooms, and usually have less distortion. Usually they are smaller and lighter as well. Prime lenses are popular with skinflints, available light shooters, and pretentious photography snobs. I happen to be all three. There is something to be said for the fixed field of view a prime offers making one a better photographer -- or at least offering the potential for such growth. Most very wide and and very long lenses are primes, though recently that has changed on the wide end (Nikon's 14-25mm F/2.8 is a really groundbreaking lens.) Lastly, there are all sorts of special purpose prime lenses: macros, fisheyes, tilt/shift, soft focus, etc etc.

http://www.metacafe.com/watch/1768855/how/

*ahem* This forum sure isn't slow today.