Dusty Chalk

Trevor Horn Reimagines the Eighties featuring The Sarm Orchestra (Instrumentals) — egad, this is horrifying, it’s like a demo reel for a cheesy synthesizer

I don’t really have a type. I find lots of women beautiful. I just wrote that in case she was reading it.

And goddamn if she isn’t even more beautiful than when she came out with her first solo album.

I did very much actually. She’s been doing that plaintive, vocal-forward pop her entire career. I actually kept up with her up until Safe Trip Home. So started listening to her back catalogue in reverse order: Girl Who Got Away, Safe Trip Home, Life For Rent, No Angel. I mean, nothing matches “White Flag” or “Thank You” or “Here With Me”, but I still liked it as much as anything else of hers.

Was: Jocelyn Pook, The Wife soundtrack Is: Dido, Still On My Mind Will be: what will be

First of all, JESUS FUCKING CHRIST! That’s worse than our conspiracy of one, Trump. An actual secret society?!?!? But I still don’t fully understand what religion has to do with isolation or isolationism. Or is it less religion and more throwback?

I don't understand what that has to do with Brexit, though.

Nice!

Beth Gibbons and the Polish National Radio Symphony Orchestra, Górecki, Symphony No. 3 (Symphony of Sorrowful Songs), on Primephonic.

...but both named Doug?!?

Rocklands Cherry Bomb Wings

? for the modular ? for the laptop

No shit! Thanks for the correction. What are the odds... Happy birthday, @dsavitsk! (Still belated, but a much more enthusiastic party favour noise since you're likely to actually "hear" it) That's the right Doug, innit?

Happy belated birthday, Duggeh! (party favour noise)

New Dido? (wanders off to listen as well) Was: much Stoner — King Buffalo, The Devil and the Almighty Blues, and Stonewood were standouts...

JH16s

Either that's enormous, or Joanne has shrunk.

Hey, don’t talk about his wife that way.

Y U do this?!?!?

I don’t even bother with the recommendations. I think you’re spot on regarding ulterior motives. They don’t match my tastes neither, which, admittedly, range from Stretch-found pop to classical to Gojira to instrumental downbeat by way of Knucks’ Test Tone to...whim, actually. But still, nothing to indicate any interest in what they’re flaunting. And yeah, I’m 90% Tidal these days. Also, Mixlr, YouTube, Bandcamp and progstreaming.

Reminds of Spandau Ballet stolen from Knucks’ last show

Wait, that Jenny Lewis? I don’t remember her being so much of a pop tart. Maybe she’s making a statement (with the cover art).

They’re as big as the screen.