Although the KGST uses the same front-end as BH and Carbon, its simplicity comes at a cost. In the 'stock' form, the open loop gain is about 78dB and closed loop gain about 59dB. Having only moderate global NFB means that the circuit has to have a wider open loop bandwidth and good linearity to begin with. It also suggests that the measured performance would depend a lot on the matching and inherent linearity of the tubes.
Below is the THD+N vs amplitude plot I did earlier on the 'stock' circuit. The max output is about 200V. It kind of falls short for an amp with ±400V supply.
With the experience from the pentode experiment on Carbon, I tried a few pentodes and tetrodes with the 'stock' circuit. The first one I tried was the 6973. Why 6973? Because it's pinout is very close to the 6S4A, such that I didn't even need to cut any PCB trace in order to use it.
The result was quite ok. The max output went up to 500V and the lowest THD reduced by about a half. Knowing how much the 6973 costs on ebay I think I should have a better use for them 😉
Then I tried a few others, including the 832A. It has one of the cutest bottles and yet is not that expensive. I was eyeing on the Breeze audio 832A SE amp enclosure. The box may look hideous to some people, it would be really cool to have a unique eStat amp like that - if still offers reasonably good performance. The 832A didn't pan out very well. The THD flattened out at 0.01%-ish, mostly 2nd harmonic, due to the mismatch between the two tetrode sections. Some people may appreciate the 'tuby' sound, I decided to move on.
I looked for a triode with amplification factor of 30 (twice that of the 6S4A), which also allows 400V DC on the plate (800V peak). It's not that easy to find real triodes like that, unless I go with the exotics such as the 801-A/10Y. I heard about the 12HL7/12HG7/12GN7 family. The video output pentodes designed for the color TVs in the late 1960's. They allow 400V on the plate, have a mu of 30 to 50 when triode-strapped, and said to have great linearity. Below curve was captured with one of them at X=100V/div, Y=5mA/Div, Vg1= 2V/step
It turns out (again) it's not easy to find well-matched pairs because the curves in the high voltage region vary a lot from tube to tube, and the g2 power would be over spec when triode strapped idling at about 400V.
I did get some nice distortion plots when they are wired in pentode mode (below FFT with 12HL7 at 100Vrms output). Unfortunately not all of them are happy with 800V peak on the plate, although 400VDC is okay on paper.
So I came back to the drawing board, trying to make it work with the 6S4A. In the 'stock' circuit, the limiting factor to the output swing is the signal amplitude at the 6S4A grids. Adjusting the ratio between the 200K/6.8K resistors on the active loading NPN pair can increase the idling voltage and improve the max swing into the 6S4A. The downside is that the output impedance of the driver stage will increase, and the open loop bandwidth drops a bit due to the Miller caps on the 6S4A. Also I don't need the full 60dB gain. '200mV sensitivity for rated output' was established from the analog-era when tuners and tape decks are the most popular sources, not to mention 100mV for rated output. Doubling the resistors at the source of the input JFET aught to do it.
The end result is extended output swing:
And a not super clean, but still okay output FFT spectrum at 100Vrms.
Well, that seems to be the best I can do. I'd live with(in) its limitations, close the lid and enjoy the music!