A few thoughts:
Color print film is fun, but a bit of a gamble. Frame for frame, it's not going to consistently best a modern digital camera. If you're serious about color film photography, you'll end up shooting slide film and having it processed by professionals. Proper scanning of side or print film is just as important as the developing. In the past, I encountered rolls where the prints looked great and the scans were awful. The answer is to buy a scanner and do it yourself. Professional labs will do competent scans of slide film, but not cheaply.
Black and white print film is a totally different universe. There is an awful lot of latitude in exposure, and a lifetime of creative control in the print. I think it was Ansel Adams who said "The exposure is the score, the print is the performance" but it might have been someone else (Knuckles has not had his coffee yet.)
Lastly, if prints from scans look the same as from negatives, than the guy doing it is a hack.