jp11801

this dac bested my transporter and wadia 301 by wide margins. I also liked this better than the esoterics 50/60, ayre cx7. The transporter while good has a tendency to sound thin with some high end glare or hash. The wadia had a thicker sound but lacked air and space. Now the bitch about this dac is there is almost nothing to it it was opened up at the last florida meet and it's a couple of lundi trannies and a medium sized board. I think the mojo with this dac is the use of output trannies and no opamps. The biggest plus outside the sound it the move to a mac mini based system as an entertainment hub. The mini with 2 large hard drives gives me access to about 2800 cds with no fumbling around for the physical unit. IT ahas opened up my listening habits immensely and that alone was worth it. For what is it worth the cosecant seems to be a big step up from the brick but David can give better insight as he owned a brick and listened pretty heavily to my rig at the last NorCal meet.

Well I traded for a pair of ALO jenna cable rewired 701s and of course the left channel is cutting out on me at the earcup. I have a 4 conductor extension that highflyin9 did for me a while back that is totally transparent to me so I thought I would use that cable to rewire these. Ken did a second entry so I am all set up to attempt to wire them balanced but I can't seem to be able to get into the earcup has anyone done these yet. I would stick with the jenna wire but it is all of 5 feet and I need a min of 10ft any help would be appreciated

I'm not really sure what tape you are referring to but there are a number of reasons here are two yes if you made a 24bit direct copy of the master tape then theoretically they should sound almost alike. The problem is everyone discounts the importance of quality analog to digital convertors. second is and I know it sounds like hifi pixie dust but tape just seems to sound better this has been repeated by people like Steve Hoffman and the guys at the Tape Project. They have compared cd transfers to the tape and the tape wins each time. the last piece is if you are referring to why would say the XRCD of Waltz for Debby not sound as good as the tape project version more likely than not ist's the mastering combined with the format. just my2cents

probably not that good for the most part as I have seen tapes at various speeds most are slower IPS the bitch is getting a machine that will have three speed settings if you wanted to play these commercial tapes. The commercial tapes you see were probably high speed duped the tape project is duping in real time. I would think for example unless they made 15IPS tapes that vinyl might sound better than what you normally see on flea bay

We could find out if Dan would loan me one of his seventeen pairs he has accumulated

IMHO these tapes are well worth it if you have the means. A recoding like waltz for debby I have played hundreds of times and have never heard it sound so good. Part of that was the amazing set up in the mastering room but I was hearing things on that tape I had not heard before plus the mix sounded different??? My concern is I often listen at night after a few drinks and worry about completely torking up the tape because if you fuck it up you lost 200-325 bucks. I am still thinking about doing this but may wait a year to see what develops. The problem this project is going to have is it is a side project for all concerned and they are losing money on these sales at the current sales projections. They are trying to get more commercial rock stuff that was well recoded for the next season.

the studio for the project is located in San Francisco and I was able to go to the studio to an open session to hear the latest tapes they were working on. So we got to hear the actual master tape of Waltz for Debby by Bill Evans, they had just received the tape from Riverside Records in Berkeley. All I can say is I have never heard this recording sound so good, I have several well done versions of this and I was blown away. It's a tough pill to swallow as each tape is $325 but you can get a reduced price by purchasing a subscription. Plus a good performing deck and tape pre will set you back a few. This is the ultimate for the well to do audio enthusiast. The studio is awesome as well the sound was being produced by massive Bottlehead monos that were driving each driver in this massive speaker system. Doc Bottlehead is also part of the project and was in attendance as well.

yes it sounds great with the k1000s but I can't get the hp-2s off my head, balanced they sound great.

not that I think a board sound different than P to P but there is just something about knowing it was done totally by hand that gets me

damn I was thinking about selling my etys but now you have me thinking recable

what the fuck I'll give it a shot this week, I'll either be eating caviar or crow

shit does anyone really think these went for 1500+? I would sell mine in an instant for that kind or scratch, maybe it's time for an IC on Headfi

here are a few pics I took after it arrived these are the pics with the bent frame courtesy of DHL

I could only see selling the Zana for the new HD2i, I am so damn curious about that amp even though it is only slightly different from what I have. The HD2i is said to have all the transformers in the case itself

Man this is a killer amp and as many of you may know I am one fickle motherfucker when it comes to gear. Having gone through a number of amps this year I am really struck by this amp. It sounds absolutely amazing with the balanced HD2s and RS1s. It does a wonderfull job with the k1000s as well, it is super linear without sounding dry at all. To refresh folks on what this amp is and the story, I had been in talks with Craig to design a balanced amp after hearing the Zana. After several months he came up with an amp that used a 12ax7 driver and 6c41cs as output tubes with my choice of Tango or Electra print output trannies. So after I demoed the amp in SoCal Craig shipped it to me in Florida. The amp arrived well packed but DHL kicked the living shit out of the amp so bad that they bent the frame in two places from what must have been several high drops. Well I was able to get it working and got to listen as did several of the local Florida folks and general consensous was really good but not great better and more linear than the Zana but maybe too dry. I sent the amp back to Craig for the needed repairs and he spent several weeks going over the amp. Craig like many amp designers has a tough time leaving well enough alone and reworked the amp to take the 6c33b and damn if it did not go from good to great. Famous last words are this may be my last amp but you never know what people are going to cook up next. I like this more than the Zana although the jury is out on this and during the NorCal meet opinions were varied. Some prefered the warmth of the Zana some prefered the speed and control of the HD2. Craig is now working on what will probably be a final version of this amp the HD2i. It is the amp as I have it but he has taken a page out of Wester Electrics book and is using transformers to interstage couple. I will probably head down to SoCal in the next few months to hear this beast and if his estimated pricing holds out it could be a real competitor. With electra prints transformers it should come in at a hair under $3000. Here are some pics of the HD2 that I have.

yeah I gotta call shenanagins on Nate (jr) as well, the only SoFlo meet I have ever missed was the tampa mini and I do not recall this guy here. Hey there were plenty of pics Nate why not just pick yourselt out and post it here, simply enough. Mike you are my favorite jive talker

balanced or dual mono?

happy birthday have a pint for me!

wish I could claim the same I saw him 2 years ago at Sunfest

Pharoh Sanders at a church in San Francisco with Voltron

I would say at the $1000 mark then yes an Extreme is probably the ticket. I have heard a number of custom extremes and each, even the ones that are 'thought to be the same' sound different. I have never heard a better extreme than Boomana's I have heard two others that while they sound good they are not in the same class as hers. Earl raises a valid point on the 6c33b I love this tube but there are 2 potential issues to be aware of: The tube is a very limited source tube as they were made in two plants so no real tube rolling for the power section] the 6c33b is also a military application tube, my concern is the audio market may be getting seconds, I base this on the high reject rate for many dealers (20%) and the set I had in at the meet the left channel was funky and after I replaced all noise is gone] with those two caveats I still like the Zana better but it is more of a preference thing. Both amps could take a few weeks to months to obtain. If you get a stock extreme then no worries I would not get many options as I have several friends that have optioned out there amps and have had looooooong wait times and had issues with repairs. I would not want to internationally ship an amp for repairs if it can be avoided. Not all non-stock SP amps have had issues but the rate of repair issues seem to go up as you put more stuff in the box and stray from the original design. [*]

Look for The Poppery mkL built like a tank abd you can find them on ebay, poppers produce good coffee but in smaller batches and with brighter flavor profiles than the better roasters due to it's quick roast times. X2 on the bottom vent poppers you will start a fire and get piss poor roasts, it's a fire hazard so stay away from them.

looks like a great meet I have to make it up to Seattle next year, it's a great town and it looks like you guys have a great crew

that looks like a cool roaster can you set roast profiles or is the 5 presets? anyone with a gas oven can get great results with a perforated pizza pan, set the oven for 400-450 let it preheat to 350 then put the pan in side with the beans evenly spread out in a single level. after 5-7 minutes open the oven and rotate the pan 180 degrees. You should have a city+ roast in less than 18 minutes. This produced the best roasts I have tasted. I own the gene caffee roaster now and it is great but I am going to back to gas oven now that I have one.

Neil please keep me in mind for a mini I would love to hear the NWO with speakers and with headphones in a quieter setting, at one point I almost yelled STFU while I was listening to the NWO. IT was soooo good, hopefully Alex can get is set up to be used conveniently as a balanced hp amp and source.