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Aspirant Audiophile

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About Aspirant Audiophile

  • Birthday 12/27/1978

Profile Information

  • Interests
    Fatherhood, Marxism, pop culture, highbrow Culture, consumer culture, cultural anthropology, cultural studies, cultural pluralism, Culture Club, overpriced audio gear
  • Location
    The Netherlands
  • Gender
    Male

Converted

  • Biography
    From Wawaka, Indiana. From there things get progressively complicated.
  • Location
    Den Haag
  • Occupation
    Editor and translator
  • Hobbies
    ...I have four kids, jacko.
  • Headphones
    X9000
  • Headphone Amps
    Carbon, Megatron
  • Sources
    Qobuz
  • Other Audio Gear
    Node, RME ADI DAC

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Reputation

  1. See how you've publicly shamed me? DO YOU SEE??
  2. Is there even a point to getting a DAP, given that the cost of a 'good' one is (at least) the price of a higher-end smartphone, and given that a DAP's OS will be obsolete very quickly in comparison with a phone that receives regular updates? I can maybe understand it if I'm lugging around a $2k set of IEMs, but otherwise I don't see a lot of convenience in buying a brick running on an old OS. Besides, is SQ really going to be a great leap forward versus getting a 'good noise-filtering dongle-DAC/headphone jack connector' (surely there is a more concise name: 'thingy'?) and downloading hi-res files onto the phone?
  3. I think I was (volunteering) in an addiction shelter upon first hear..."Scar Tissue" was my morning song on repeat! "Get On Top" in a Chevy Blazer sounds like a pretty perfect setup.
  4. Does the ultra-compression and supposed lack of dynamics on Californication bug you at all? I remember loving that album, then I got startled when I read about it as a case study in a book about loss of detail in modern recording, Perfecting Sound Forever if memory serves.
  5. Very happy to come across this thread--last month I picked up something from a builder in my town who imports espresso machines from Italy then soups up the internals and sells them to rube...I mean, to afficionados like me. No, he does not also build amps. Limitless variation and plenty of ruined shots equals big fun. My favourite part of the learning process is how different the results are with a bottomless versus a standard filter. In fact, I prefer bottomless by a country mile--more crema and far more coffee extraction per gram. I'm surprised they aren't more commonly used.
  6. I demo'd Holo May and Spring KTEs with a two-box streamer made by my country's Holo distributor. I did not get to do proper A/B testing, but I heard almost none or no difference compared my Node and RME DAC. With the May, definitely a difference, but nowhere near the price difference--I left the demo feeling much much more confident about my setup as-is. Disclosures: I have almost zero experience, zero engineering or audio knowledge, and my opinions should not be taken without salt. My setup (Node, RME, balanced Mogami interconnects, a powerstrip with Faraday cage enclosures, and a Carbon) may or may not induce cackles--they are welcome if they are wrapping for advice. And...I use ALL the tinkering features the RME provides, and I get a sound that is pretty close to what I imagine is my hearing ceiling. I use a Soren Brix-build Carbon. I was looking at the Chord Dave and TT2 as well...until I stumbled upon the thread here about Chord Dave...
  7. At risk of stating the obvious (again), I'll pose the question: does anyone else notice their music tastes change as their audio gear improves? I used to think Sonic Youth was my favorite band. But my audio setup just reveals noise, not nuance. Maybe there's another setup out there that provides separation for all those guitars... I'm listening to Loretta Lynn all day today, starting with her Hymns, Don't Come Home a Drinkin', and the massive Honky Tonk Girl collection. My wife is Dutch and thought it was Dolly Parton...I quickly corrected her that she's listening to maybe the best country/folk singer America has produced.
  8. I would guess/expect a high-amp.de amp to be in the same league as a midrange Mjolnir amp, but I only base that opinion on the recommendations of others who know that high-amp.de builder personally. I have never owned products by either person. I hope to visit high-amp's workshop myself this summer. I have a 353x now, and I am getting a Carbon built because the 353x is good for an affordable amp, but not powerful enough--the Carbon I'm getting is not by Spritzer, but that says nothing about Spritzer's reputation as a builder, which is unquestionably impeccable--I mean, I doubt there is anything on the internet that mentions problems with a Mjolnir product. That should tell you something. One thing I am curious about is what kind of pot/attenuator/misc. is used in an official Stax amp, as I am currently trying to decide on whether to have my Carbon build upgraded from an rk27 to a Goldpoint47. As I sit in front of my 353x, I'm wondering what Stax itself uses. I understand that Spritzer uses the best components he can find in all his products, though.
  9. I should have led with sincerity, without giving the impression of sarcasm. My comment is about why gun control efforts are consistently unsuccessful. I'm a retired teacher. I taught in urban high risk schools as well as boutique private schools. Both communities live with the same fear in the background. But, the production of weapons is "good" for economics. So, guns stick around. I apologize if my comment implied that I'm in support of such a system. I quit my last teaching position--then permanently migrated from the USA--in part because I don't want my own children to grow up with any thought about their school as a non-safe space. I also don't want to teach anyone in an environment where any of us could have a gun. I lost my 401k in the process and I miss teaching, but I don't regret leaving. I hope this clarifies my remark.
  10. Well... Not trying to be cheeky, moreso honest...but there's a whole lot of teachers in America--letting them all carry guns would be great for business and most 401k plans...
  11. I am neither young or affluent. I have no interest in sports--with or without quotation marks that attempt irony--and while my wisdom and tact (or lack thereof) are certainly subject to question, I rely on real-life measurements, not name-calling on the internet. I have no opinion about your technical skills and I wish you the best.
  12. If I understand correctly, this is what I'm doing. I'm not sure what I'm hearing with my temporary x9000s/353x setup, but it's not great. I hope to have a Carbon in a month, then explore other models with the Carbon as reference.
  13. I had the D-50 at my home for about two days and agree that the dynamics or lack thereof are mediocre. I returned the D-50 because my wife and I thought the sound from a D-50/L700 was actually worse than a 252/L500. Apparently it's something to do with an outdated DAC in the D-50, along with the amp itself being an old design compensated by a stylish chassis? I'm using a 353x now for my x9000s while I wait for a Carbon, and something is definitely off--very few music choices have any crispness, to the point that I am using aggressive EQ to take out the thick fuzz in anything that isn't classical. But now all vocalists sound like they're on helium. Interesting in any event to get to understand more about audiophilia (real word?) with a mismatched setup that will improve through experience.
  14. I loved the L500MK2s but didn't trust my ears because they were the second set of Stax I'd ever heard. Four weeks, continued mistrust, and ten trades with the hifi shop later, I wound up getting the x9000s. Fucking hell. Considering getting the L500s for a point of comparison.
  15. As I wrote before, I'm here to learn, and I'm grateful for the patience of several experts. The responses helped me understand how to make the most of my Stax, and hopefully be a better contributor down the line. I'm sorry if I didn't manage myself appropriately. -uncertain newcomer
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