HiWire

? New 16" MacBook! This looks like a better value for money, with a new keyboard, speakers, mics, display (notice that they do not mention HDR), GPUs, up to 64GB RAM, larger 11-hour battery, and up to 8TB storage – also, it still has a headphone jack: https://arstechnica.com/gadgets/2019/11/apple-announces-16-inch-macbook-pro-with-new-keyboard-design/ I always thought the previous Vega 20 graphic processor (an expensive option in the 15" MacBook Pro and 21.5" iMac) was a low-midrange product, and the new AMD Radeon Pro 5500M (8GB GDDR6) looks like a huge improvement. Apple has discontinued the 15" MacBook Pros on the website, but they are still available in the refurb store (and probably for a little while longer in the brick and mortar stores). The 16" MBP is about the same price (at the base levels) as the Early 2019 15" MacBook Pros, so it's going to make them look really bad from a value standpoint unless you can get one for a steep discount – they are still expensive. It's interesting to see that they stuck with 802.11ac wi-fi – a lot of current high-end Windows laptops are shipping with Wi-Fi 6 now. 10 Gigabit Ethernet is an option on the Late 2018 Mac Mini and it may become standard on desktop Macs next year. It may also become available on Thunderbolt 3 adapters at some point. Apple doesn't call attention to this, but the 16" MBP uses the same CPUs as in the previous 15" MBP. They are wedded, like everyone else, to Intel's technology roadmap. This means that it will be a while before PCIe 4.0 or 5.0 comes out (current leaks about Intel's 10th-Gen desktop processors indicate they are sticking with PCIe 3.0) and we can expect to see 10-core/20-thread i9 processors in the next iMacs. Intel's mainstream rollout of 10nm processors has been pushed back into 2020 and 2021 so there may still be more products manufactured on their 14nm+++ process or a confusing hybrid lineup like their current mobile offerings with Ice Lake at 10nm, Comet Lake at 14nm, and both named 10th Gen. An update on newly-disclosed vulnerabilities in Intel's processors: https://www.tomshardware.com/news/intel-reveals-taa-vulnerabilities-in-cascade-lake-chips-and-a-new-jcc-bug This is an evolutionary upgrade that fixes some of the old design's problems and increases the MacBook Pro's capabilities, at the cost of larger size and increased weight (with a larger power supply to match). Microsoft's new Surface X has been getting poor reviews because of it's ARM processor performance – Apple has had much more success implementing ARM designs on iOS. Ironically, the clever lid-opening scrolling on the new MacBook Pro's features page is crashing in my Safari browser but it runs just fine in Firefox. P.S. Performance tests from Barefeats validate the 16" MacBook Pro's performance potential and thermal headroom – TL;DR get more RAM, more VRAM for heavy processing: https://barefeats.com/16-inch-macbook-pro-shootout.html https://barefeats.com/16-inch-macbook-pro-adobe.html

I think it's on Cinemax / Amazon Prime / Hulu in the U.S. I'm watching both shows on Blu-ray – that's why it took so long to catch up. Back in the 90s, I watched Kung Fu: The Legend Continues, Vanishing Son, and a bunch of other stuff (never watched Martial Law or Walker, Texas Ranger, though). It's always been a niche market with few breakthroughs.

Finally watched the first episode of Warrior. The violence and nudity seem a bit gratuitous (but not excessive) – we're in a post-Game of Thrones TV era, so I guess anything that pulls them in... they've also put a lot of swearing into the dialogue, which makes sense because of the low status of most of the Chinese immigrants (and it fits right in with post-gold rush San Francisco). Highly recommended. I'll have to stop myself from binge watching as there are only 10 episodes in the first season. I'm also watching the first season of Into the Badlands. It's a bit clumsier in writing and execution, but has its own charms as well, being a fantasy show.

Fox On the Run – Sweet From The Goods: Live Hard, Sell Hard (2009 film) trailer – ratings are really bad on this movie, so I'll give it a pass but thanks for the sweet song (also to Guardians of the Galaxy Vol. 2 for bringing it back):

I agree. I bought a Bluetooth speaker for parties and such this summer and I don't care about formats, aptX, Apple AAC wireless or any of that for simple listening. If I want to listen to music on my phone or iPod, I'll rip it to 320kbps AAC or Apple Lossless, and my fancy-schmancy SACDs only get played on my Sony UHP-H1. Heck, a lot of my music listening is done on YouTube, which is terrible for sound quality.

I read that snippet in the Simpsons' Comic Book Guy voice in my head. Found a layman-friendly explanation with audio clips here: https://www.audiomasterclass.com/newsletter/the-difference-between-minimum-phase-and-linear-phase-eq-on-transient-signals-such-as-snare-drum I grabbed a copy of Sound On Sound magazine this month as I've been told we'll be recording musicians at work next year... it's fun to read about new gear, but I have to slow down to decode all the engineering jargon. Then I wonder if all those knobs and switches can be done in software instead of yet another box. More filter stuff from Archimago: http://archimago.blogspot.com/2018/01/musings-more-fun-with-digital-filters.html Leave it to the trolls to sound reasonable and objective: https://troll-audio.com/articles/linear-and-minimum-phase/

Found an interesting snippet re: MQA (I was contemplating the future of my little music collection and physical media in general – Blu-ray Audio seems to be DOA) https://forum.audiogon.com/discussions/sacd-vs-blu-ray-for-audio-quality-sonics "Two main kinds of filter: Linear Phase and Minimum Phase (a third kind could be everything else in between). Linear maintains the phase relationship between ALL frequencies – this best preserves the timbre of instruments. Minimum Phase screws up the phase relationship and changes the timbre but it eliminates pre-ringing. Since music is all about the relationship between various frequencies then Linear Phase filtering will sound the most natural and if well designed the pre-ringing will not be audible. Minimum phase makes no sense unless you look at waveforms and dislike aesthetically the pre-ringing. That Bob Stuart is pushing minimum phase basically discredits him and MQA as a gimmick. He is pushing transient response (an engineering concept) over musical timbre (what we actually hear or how our ears work)." If companies like Sony and Pioneer (I'm talking about the mainstream) want hi-res to be taken seriously, they need to make it available in car audio and elsewhere, and digital streaming services need to update their libraries. The conundrum is that digital platforms evolve so quickly that the electronics are becoming obsolete faster than ever while sales of "mainstream" hi-fi products are shrinking. I don't subscribe to digital streaming services (or digital file vendors) because I don't want to deal with a limited library of titles. If I buy a disc, I can listen to it anywhere, without an internet connection, and I don't have to keep paying or have it arbitrarily revoked from my library. I can rip the disc to a variety of file formats, lossless, lossy, etc. and play it on any device I want, without restriction. I had to revisit this decision when I bought a limited-edition CD yesterday – the album is available for $10 on iTunes, but I decided to have the disc shipped for significantly more money. Am I becoming a cranky old man? Yes – but I'll still have the CD, which sounds better than anything Spotify can offer in 2019. This is what Sony has for high-res car audio (not great – I hope they are doing a better job with OEM systems – would that be Ford?): https://www.sony.ca/en/electronics/car-audio-hi-res-audio Here's Pioneer's list of high res products (starting at $300 for the portable player): https://www.pioneerelectronics.com/PUSA/Home/High-Resolution+Audio

Night Drive – Chromatics

... and the other shoe drops. Beats Solo noise-canceling on-ear headphones for rich kids: https://www.macworld.com/article/3449223/beats-solo-pro-review.html

Visited the music store yesterday and scored big: Midwest Farmer's Daughter – Margo Price Foxbase Alpha – Saint Etienne Painted Shut – Hop Along

Apple announced the new noise-canceling AirPods Pro yesterday. Looks like their Beats investment is going to start paying off soon. The 4.5-hour battery life is too short for my liking, but it well sell well regardless.

One of my not-at-all guilty pleasures ("What do you want to do with your life?" – "I wanna rock!" – Twisted Sister): High Enough – Damn Yankees And, on the theme of the law showing up at your doorstep (No to Bon Jovi): Hazard – Richard Marx Dr. Feelgood – Mötley Crüe

Schumann Piano Concerto in A Minor / Beethoven Piano Concerto No. 5 in E Flat ("Emperor") Van Cliburn and Fritz Reiner (Chicago Symphony Orchestra)

Catalina has crashed on me a few times, even after the latest Supplemental Update. Also, there are no print drivers for my office printers yet. Definitely not ready for prime time at work.

I installed macOS Catalina on an external SSD drive on Tuesday and played around with it yesterday. It is definitely buggy – the App Store gave me a blank screen when I changed network settings and stayed blank after I restarted the app. The network settings pulled the wrong numbers from DHCP so I set them manually and it kept them after that. I ended up restarting the system to fix the App Store. I installed the Server app just to check it out. They've gutted (deprecated) all the functions, leaving only Xsan and User/Group management of devices. It was laggy starting up and also switching between tabs. On the other hand, everything else feels super snappy. I think they deliberately went through all the GUI/startup code to preload and optimize response times. Safari is particularly fast – loading the Wikipedia home page, for example, is significantly faster. I'll see if I can find time today to test Microsoft Office and the Adobe Creative Cloud apps.

We're using CrashPlan... seems to be working so far.

Glad you posted this – I remember their performance in Twin Peaks: The Return and I never got around to checking them out. Monster Rally – Return to Paradise

Lastman – makes me want to check out the graphic novels

Swapped the flat pads to the Alessandro MS-1 and surprise, surprise, they sound better than the comfy pads. I do have to turn the volume down a bit with the drivers firing directly into my ears. I may have been wrong about the deluxe flat pads feeling denser – that might have been normal manufacturing variance. The regular flat pads on the MS-1 hurt my ears after about 2 hours, since they have the stock Grado ear-crushing clamp. The pain I endure for dat bass. I tried the flats on the MS-1 when I first got the flats, but they never got a fair chance because the flats were going on the HP 2. The comfy pads tend to cut a bit of the treble and transparency (transients, attack speed, decay, etc.), but I guess I was in denial, not wanting to buy another pair of flats back then. Win-win today. There is a spare pair of bowl pads sitting around my place somewhere (not crumbling). I'm not sure what John Grado does to the drivers, etc. to voice them for bowl and bagel pads, but you'd think there would be some major changes to sculpt the bass and to avoid a midrange-treble suckout with the additional volume around your ears. I wasn't a fan of the bowls as the treble reverberations sounded fake with my HP 2 and MS-1 and bass quality and quantity were dramatically reduced.

My ears are silky soft and I don't drag my headphones in the dirt, so I really hope these new pads last. On the plus side, they were the only new flat pads I ever bought (from TTVJ, of course)... the seller sold my HP 2 to me with bowl pads. 14 years of musical enjoyment is not so bad. I still need to vacuum some of the dead flat pads' black bits out of the carpet. They've been leaving bits on my ears for months. Ugh. ? Lesson learned: don't try to keep using the pads when they begin to self-destruct. According to this thread, my pads have been crumbling since 2016. ?

I decided on Alison Krauss + Union Station: Live (SACD) as my test album. It has impeccable recording quality, masterful performances, and it's an incredibly life-affirming barnstorming hootenanny in your head. I recommend it wholeheartedly to anyone who enjoys music (even those of you who normally hate country and bluegrass). It's one of my desert-island discs and there is a fantastic interplay between Alison Krauss and the guitars, fiddle, dobro, mandolin, bass, and drums. You can also get this performance on DVD, but we're concerned about the stereo recording in this case. I listened to this album a few months ago, but it gave me the meh like a lot of my beloved albums on the HP 2's dying pads. On the regular flat pads, the bass was the first thing to catch my attention. I did a bit of fiddling to get a perfect fit (these are brand new pads, which are the best pads, if you haven't examined my disintegrating flat pads above already) and turned up the volume a smidge. Bass is a bit wooly and Alison Krauss' voice has a keening quality that can sound edgy in a bad way on the wrong gear. The virtuoso playing on the stringed instruments is very clear and direct (reverb dies fairly quickly), and you can hear the louder responses from the audience. When Alison sings in harmony with the various band members, the effect is slightly recessed. Running out of things to say about a sound I know and love, I take a break for dinner. This is good. Switching back to the deluxe pads, I first notice that things sound quieter. Next, I notice that the pads seem thicker... no, their dimensions are the same as the regular pads, but the material seems to be denser. Then as more of the music comes in off the leading notes I have... soundstage. Yes, the depth I noticed before with 2016 Atomized is even more obvious on this acoustic recording. Everything is slightly less forward than on the regular flat pads and there is a lot more information coming from the headphones. The difference is not subtle at all. Knowing how short auditory memory is (extremely short), I was expecting to have difficulty finding differences between the pads, especially after a long break. Maybe it was the placebo effect. Maybe I'm just a sucker. A fool and his money are soon parted and all that. Or maybe there is a huge difference between new pads and dead pads. But no, I keep listening and there is more to describe. Alison's voice is more emotional (you can hear more of her breathing and phrasing) and the male performers in Union Station sound much richer and more real. The drums have more dynamic energy and the bass doesn't overwhelm the lower midrange like it does with the regular pads. And the detail just keeps coming. I can hear how far back the audience members are in Louisville Palace where audience noise was more flat and simply less loud for farther members before. This is better. I was fine stopping with the regular flat pads, but with the deluxe pads, I want to listen to all my albums again. The only thing stopping me is fatigue (I spent the whole day driving fast on new (to me) winding country roads with my car club) and the fact that I have to go to work tomorrow. The deluxe flat pads unambiguously improve the voicing of the Grado HP 2 (removing some of the midrange-low-treble glare) and add soundstage and detail to headphones I've owned and loved for 14 years. The HP 2 are sometimes described as flat or clinical, but now they are more involving, musical, and, to use one of Joe Grado's words, holographic. TTVJ were understated in describing the audio improvements of their new pads, but I am not. Audiophiles spend hundreds to thousands of dollars to get these kind of improvements. I think what I spent was fair, I'm sorry I took so long to try them, and I'll have to buy them again if they crumble. I'm not taking the deluxe pads off again. The regular flat pads will have to go on my Alessandro MS-1.

I haven't pulled the new regular flat pads out of their ziplock bag yet. I suspect that exposure to oxygen will start the crumbling clock. I'll swap the pads this weekend to test for differences. I listened to Anemone's Beat My Distance this morning. The HP 2 did their groovinator thing – I wanted to listen to all the albums, whereas I had started to look for shorter albums to play in the last few months. Beat My Distance can be described as dream pop – it was a relief to listen to cleanly-recorded vocals and instruments without a massive push to distortion. The slightly-recessed synths and drumbeats are gauzy and propulsive, but definitely not ambient. Chloé Soldevila's ethereal voice is the main attraction, weaving in and out of shimmering waves of synths and soft guitar. My next album will definitely be an acoustic recording – then I'll be able to get a better read on resolution and ambiance.

Congrats! Lighter is better, in my opinion. They probably coat the aluminum to prevent allergic reactions, etc.

I listened to the Raveonettes' 2016 Atomized tonight. It arrived about 3 weeks ago and I've listened to it a few times at work. The first thing I should mention is that song lyrics are much clearer with the new pads – that's a dead giveaway. Songs where I previously struggled to make out the lyrics are suddenly obvious. 2016 Atomized is probably not the best album to test Grados – like other Raveonettes albums, it's awash in noise, distortion, and reverb. However, these effects provide an excellent contrast against Sune Rose Wagner's work on synths. They are carefully layered, tuneful, and emotionally resonant in a way that other songwriters should envy. Most of the songs on 2016 Atomized are short, typically running about 2-3 minutes, except for the last track, Pendejo, which is mostly instrumental and more subtle and atmospheric than the rest of the album. The Deluxe Flat Pads are an unqualified success on the Grado HP 2. They fix the slight treble roll-off, enhance midrange definition and fluidity, and add control to the bass frequencies as promised. They are expensive, but audiophiles have spent a lot more to get these kind of improvements from their systems. Grado HP 2 are analytical by nature and they are ruthlessly revealing on bad recordings. The new pads don't change that, but they enhance every good quality in the HP 2 headphones. I'm not sure how the Deluxe Flat Pads would sound on the John Grado headphones, but I think they would work well on the Alessandro Music Series headphones and probably the PS series of Grado headphones at least. https://www.stereophile.com/content/grado-hp-1-headphones If you look at the design of the Grado headphones, you'll note that the drivers are very directly coupled over your ears. Compare the simple Grado pad designs to a more modern headphone like the Sennheiser HD 800 S and you'll see that the Sennheisers have a different approach to cavity design and resonance control (absorber technology, angled drivers, different materials). You can make a similar comparison with the Focal Utopia headphones. Upgrading to the Deluxe Flat Pads modernizes the Grado sound with a simple pad change.

Why do I think steaming pile when I see streaming?