It's true that black and white print film has no equals when it comes to capturing and reproducing a wide dynamic range of values. It's also true that at LEAST half the work with B&W film is in the darkroom, making prints. Ansel Adams was an undisputed master of this process. Henri Cartier-Bresson claimed to be allergic to developer chemicals and had other people do the work for him. I've never shot, developed nor printed B&W print film, so I am in no position to talk shit.
So anyway, there's this fake-ass B&W film that Kodak used to make called BW400CN. It's black and white film that is developed the same way color print film is done. Meaning it's easy for scrubs who don't have access to a darkroom, and a total gamble as far as results go. Also, I have great beginner's luck followed by a roller coaster plunge.
Let's come out of the gate swinging. This is one of the best shots I've ever taken and will ever take. The inside of the Edgartown lighthouse, 07/28/08 - 3:43PM. 17-40L at the wide end, Canon Rebel K2, Kodak BW400CN. This shot is lightning in a bottle.
Here's the underside of that same bottle.
Looking out the porthole.
This photogenic little trustafarian fuck blew out my surf guitar amp, returned it to me broken, and then de-friended me on Facebook. Kodak Rebel G, Kodak BW400CN, and the mighty Meyer-Optik Orestor 135mm F/2.8 showing off why it's a "bokeh monster."
My friend Alyssa's patented look of disapproval. 5/25/08 - 7:00AM at the breakfast diner. EOS Rebel K2, EF 85mm F/1.8. Kodak BW400CN.
Okay, let's drop that other shoe, shall we?
02/22/09 - 5:04PM - 17-40mm @ 17mm, F/8, 1/45th. Rebel K2. Kodak BW400CN. This is an absolute nightmare. The soup nazi says "No midtones for you!"
The ancestral cottage on MV, 09/15/09 - 5:34PM - 17-40L @ 17mm, F/9.5, 1/180th, Kodak BW400CN. This one is actually one of the better frames from the second two rolls.
10/04/09 - 5:25PM - 17-40L @ 17mm, F/13, 1/30th, Rebel K2, BW400CN. The lack of midtones and detail in general is appalling. I actually like the composition of the shot, even if my dumb ass had the lens hood on the wrong way. See that black bit in the upper left corner?
Memento Mori. 10/06/09 - 5:43PM. Rebel K2. Kodak BW400CN. The mushroom cloud laying motherfucker of a lens that is the Canon EF 85mm F/1.2L II @ F/2, 1/2000th. I had to stop down because the poor Rebel K2 said "bro, I can't move my shutter fast enough to compensate for that much light!" Leave it to a bad BW400CN run to wreck 85L bokeh.
The road where hopes for midtones go to die. 03/06/09 - 5:19PM - 17-40mm @ 24mm, F/13, 1/350th. I have a bunch more, but I've made my point. I still have one last roll of BW400CN, some 14 years later. I dunno if I can be arsed to expose it. At this point I'd rather attempt to develop Tri-X in my bathroom.