I've been lurking on the large format subreddit for a while now. It's given me mixed feelings. Some (many) of the submissions are remarkably poor. I see people laboring with giant cameras and expensive film stock (is there any other kind at this point?) producing results that can be charitably described as mediocre. For me the issue isn't the composition or exposure, it's the printing. Of course that's where the real skills of a B&W photographer come out.
Conversely, there's a dude with a Linhof Technorama 617s III (a "small" Lin that shoots panoramas on 120 film, and costs north of $8500 without a lens) and a Schneider Tele-Xenar 250mm MC F/5.6 (around $7000). German gear is is kilometers deep into "if you have to ask" territory, schweinhund. With that said, the Linhof is a handsome looking unit:
The lens looks like ...every other Schneider to me, but I will admit I know jack shit about them in general.
The widget necessary to attach the Schneider to the Linhof is ...odd.
All of this is superfluous, because the dude who uses ^ is a bit of a mushroom cloud laying MFer:
NYC sunset on Ektar 100.
Some place in the US I think. Ektar 100.
Schneider Apo-Symmar L 180mm F/5.6, Ilford Kentmere Pan 400, 25A filter.
Old Westbury Gardens, Schneider Apo-Symmar L 180mm F/5.6, Ilford SFX 200 | R72 IR filter.
NYC night, Super Angulon XL 58mm F/5.6, Kodak Ektar 100.
There's also a few brave souls who shoot Velvia on large format.
4x5" w/ a 90mm something-or-other. I rate this one a solid Velvia/10.
I think most modern cars are hideous, indistinguishable lumps. These shots are amazing.
Velvia panorama.
The above are the exceptions and not the rule of what I've seen in the LF subreddit. It's enough to make me swear off anything bigger than 35mm forever. The rest of the time I think about selling the mainland house and buying a Tachihara 11x14" field camera.