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Everything posted by ironbut
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Happy Birthday man. I'll see you when I see you.
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Thanks Todd, I didn't realize how important it was for me to get my daily "wacko quotient"! Hopefully my bowels will be running as well as Headcase soon.
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Hey Mikey,.. That waveform doesn't look all that bad to me. That looks like at least DR 8 (dynamic range). Really squashed stuff these days is more like DR 4-6 for pop. It's pretty hard to judge the crest factor (rms to peak) without a DR meter. But when it comes down to it,..as the old recording engineers saying goes,.. listen with your ears not your eyes.
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Glad you liked those Win amps too Ric. I've never heard an 833 amp I didn't love. But, seeing that they are both in the $100k neighborhood, it could be the attention to detail and the other trappings of all out designs. I can see doing some 'sparimentin' with a pair of 833's one of these days. I listened to another high voltage amp that wasn't too bad. A push pull 845 with another 845 for the driver from Triode. Didn't knock me out like the Win 833 though. BTW those speakers they were using are from Florence Audio. Never heard of um and couldn't find anything from a bit of web searching. It looks like they were the same speakers that they used at RMAF in 2010 so they could be a "pair of a kind" that are owned by someone in the company or sum-thin.
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Yeah,.. who is that dapper looking fellow! Congrat's to Jacob and the Mrs. Live long and,..
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I guess I shoulda looked for this thread since I planned on going. As it turned out, I ran into blessingx a couple of times which was cool. There were a few really great sounding rooms (Bob Hodas Acoustic Analysis, Win Analog, the Magico room with the smaller monitors, deHaviland room with Sonist speakers) but there were also some truly dreadful sounding ones this year as well. I attended a seminar with the guys from Reference Recording and my pal Paul Stubblebine. It was pretty interesting but a few hitches in the logistics made it much longer than it should have been. Overall, I had a great time. Most of the music that was playing was fantastic (I only had to walk out on one room which was playing one of those useless drum demos) and I learned a thing or two.
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Yeah, I read a thread where folks were saying that they own Shuguang Electron but have yet to see any evidence of that. I don't say that they aren't but Shuguang appears to be associated with LG Phillips. http://www.shuguangelec.com/en/profile.asp
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If wishes were fishes,.. I know this is a wild ass shot in the dark, but a few years back some engineers at the old Blackburn Mullard plant started producing a new plannar design 12ax7 equivalent under the MicroTech (sp) label. I bought a few of them. And while they weren't as dimensional as the Raytheon 5751 windmill getters that I love in many applications, they are amazingly transparent and found a permanent home in the voltage stage of my phono stage. To make a long story short, not long after they began to sell these, the CRT (their main products) demand from China dried up and MicroTech went belly up and all their assets were sold at auction. I was bummed! Myself and several other guys who'd tried this tube could only hope that some rich audio aware person would buy the design and tooling and start production again. The pictures of the tube that Samsung is using looks similar but without a 360, I couldn't be sure. But, the timing is right (plenty of time to buy, move and produce the assembly line). Wishful thinking probably!
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I'm with jp regarding the amp. I would love to know what tubes are being used and who is supplying them though. If this amp gets any traction at all, some lucky tube manufacturer is going to have to build a new plant!
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Atta boy Dusty!
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I'd like to say that his Oscar winning "Marty" was my fav but McHale's Navy was. And they wonder why "sticking it to the man" has been the favorite sport of my generation! RIP
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Happy Birthday Mike! What's with the Lannister crap?
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Happy B Day Greg! Now I can see why you won't be back at work till the 5th!
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Happy B day Justin.
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Thanks for the tip Al. I've been dyin' to try some of those trucks! Did a little searching and found this for folks in the south Bay; http://www.mvblfeast.com/ Graham,.. looks like a great time! Your posts really make me realize how much I take the bounties here in the US for granted!
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IMFG! Missed another Birthday. And this was for one of my favorite fools! Just joshing David. It's been too long since I've seen you. Hope you had a "Fab" birthday buddy!
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I'm planning on being there again this year. Are we gonna need to fly Sherwood in?
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Congrats on your anny! I guess good things still happen to good people.
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Atta boy Al! Who woulda thought that an old laundry man would have his name up over the entrance to a stadium! oops,.. guess that's the scoreboard huh?
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I saw Doc and Merle the first time in 1970 and it changed the way I think about acoustic guitar forever. Here's a great article; http://www.washingtonpost.com/blogs/arts-post/post/doc-watson-dies-remembering-the-legendary-guitarist-through-the-post-archives/2012/05/29/gJQAOpBP0U_blog.html
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Hey Graham, How was the exhibition? I was thinking of going to the LOH next week. One of my favorite places in the whole wide world (I love that view of the Bay!).
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Gee, After reading these last posts, I've decided that my life has become boring and in a total rut! I think I'll make out a list and research the hell out of it this weekend.
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Neil Young claims he was working on an audiophile iPod with Steve Jobs
ironbut replied to Wmcmanus's topic in Portable Audio
Cool stuff Wayne! Good to see that Neil is still fighting the good fight! -
Latest Tape Project release. Flirting with Twilight Kurt Elling Killer!
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Shelly, You should find your local Guitar Center and spend a little time auditioning some nearfields. Try and go during the week when it's not a zoo and get a sales guy to run through the speakers in your price range. It's kinda tough to be objective when you listen to a bunch so once you've whittled it down to a couple, go back in a week or so and listen to just those. Just be aware that those listening rooms are heavily treated so the bass in particular is going to be tighter than it'll sound in a non treated room. Their prices are what is generally considered normal street price but if you find a authorized dealer with a lower price, you can usually get them there for that price. It's nice to have a brick and mortar that will cover any warranty issues you might have (and that's always been the question with Adam's).
