In my above post I mentioned Aspen. Anyone who listened to the entirety of last week's Test Tone heard me talk over the song that got me into Bevan Smith's work.
"This Is Why Only Teenagers Can Really Love Music" sums his output up pretty well. A fairly lengthy track with a weird, pretentious title. It's minimal (dubby) techno, a genre which is more often boring and pretentious that it isn't. All of this said, the song is bloody brilliant. When Bevan is/was good, he is the absolute master of doing a great deal with very little. He evokes so much emotion out of a few drum hits, some frosty ambience and some fairly simple melodies. This Is Why Only Teenagers Can Really Love Music is probably not his best work, but it's certainly up there. I liked it enough to pay obscene amounts for his entire catalog (it averaged out to $25 a CD), shipped from the other corner of the globe (New Zealand). That was a dozen or so years ago, when the Information Age was a lot less information-y.