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I listened to it this morning after you posted a song last night. Thanks for linking and promising! Her more simple, more country-leaning 2020 Old Flowers was HUGE here as we stumbled through early pandemic feelings. You may want to give it a listen if you haven't already. Al saw her, if I remember correctly, as the silly audience ignored the stage.

William Eggleston’s Lonely South https://archive.ph/2026.01.24-204543/https://www.newyorker.com/culture/photo-booth/william-egglestons-lonely-south https://www.newyorker.com/culture/photo-booth/william-egglestons-lonely-south

I’ll add one more Rob. Feels very 2025/6. Cons and Clowns.

The original bag lady

Courtney Marie Andrews - Valentine https://open.qobuz.com/album/hny90dvm03jlc She has a, Joni Mitchell, Aimee Mann, expressive innocence, and her songwriting is equally great. It grows on you the more you listen as well. Simply put, I has a new favorite.

Megadeth - Rust in Peace (1990) Some of this album was re-recorded for the 2004 remaster, according to internet hearsay.

https://www.speedtest.net/result/18750860321 Even the natives seem impressed

I've going over my collection, filling in any items I'm missing, I felt I really should have a modernized version of the Sigma. I came across a rather abused normal bias set which needed new drivers but wanted to try something different... so here is the SR-Sigma 507: The housing was very discolored so I wanted to try my hand at painting it. The frame was primed and painted satin black but I left all of the other parts in the primer color. The plan was to make them gloss white but this looked too cool so this is how they stayed. The drivers and cable are from a 507 so it took a lot of work to get this right. The drivers are in the cage that Stax introduced with the x07 series so I glued the drivers and fitted spare metal grills to them. In terms of sound, this is the best Sigma I've ever heard. The bass is overblown, as is always the case with Sigma's, but it has some real power to it and is more controlled than every other I've heard. The top end is nice and clean and the midrange is just sublime. A fun addition to the collection.

What do you normally shoot, Nate? Keep in mind that Lightroom/Photoshop still doesn't have full RAW support for the camera, which is quite annoying - I have about 5 days of images from winter break that I can't edit. I only found out about the one RAW format that Lightroom has beta support for. Not enough of a reason to avoid the camera - just mentioning it so you aren't similarly annoyed. I went from a not-very-good AF system (by today's standards) in the D810 to one of the best in the A7V. I nearly pulled the trigger on a Z6III around Thanksgiving so I could use the couple of Nikon lenses I already had, but the 30 fps and better AF pulled me over to the Sony side. I missed a lot of shots with the D810 when trying to capture my fast-moving niece. She just turned 4 a month ago, and the A7V was fantastic, keeping up with her fast-twitch movements. The pre-capture feature was great and certainly made up for my lack of skill. The D810 remains exceptionally capable in decent light for landscapes or scenes where AF speed/tracking isn't a priority, but with two more babies expected to join the family this year, I figured an upgrade would make my life easier in the coming years. The A7V also seems to do much better in low-light situations - I find I can push to higher ISOs before noise becomes an issue. Depending on what you intend to capture and how, the A7V might not be as much of an upgrade over the A7IV. For me, the upgrade was much more pronounced, and I am quite pleased with the purchase. I don't do much with video, so I didn't care as much for the hoopla around closed/open gate sensors. Last December, the D810 said Zara's left eye was in focus here, but obviously, it wasn't. Also with the D810, got lucky. And OOF again. Definitely pushing the limits of the D800 in difficult light. The noise/grain is obvious when pixel-peeping. I actually don't mind it as much in this image, but there were times when I did. Another one where I don't mind the grain. Here are some more where I feel like better AF, dynamic range, and noise performance would have helped capture what I wanted to. Some more from the Illumina Lantern Festival taken with the A7V. Exceptionally clean images. Some with the Batis 85mm (AF) and others with the Voigtlander 35mm (MF). It's no Leica, but Sony really does a fantastic job of working with manual lenses. I love their implementation of focus peaking.

We Have The Internets! https://www.speedtest.net/result/18637976162.png

... and when the satellite company doesn't want their dish back, you can make a bird bath.