RudeWolf

My speaker is called the Square One and the more recent one is Square Two. Both run the compression horn down to 1kHz with very shallow filters. I've seen people using the same driver down to 500Hz, but the horn needs to be pretty massive and you need steeper filters to stay out of trouble. Mine has F6=35Hz while the Square Two seems around 40Hz both in free field. In living room conditions with boundary gain help mine can do 30Hz pretty decently. At the same time there's plenty of headroom for something that's essentially a 12.5" cube. Help it down low with a decent sub and you have almost PA-like SPL capabilities.

The drivers are actively filtered, so the slopes must be rather shallow to get no phase shift. I have listened to the prototype which had different filtering and power electronics. The sound was superb! The mains in my system are of similar principle, only they use Scanny 15MU midwoofs and the same Faital HF1440 CD. The mids are nicer on mine and they go louder - circa 120dBSPL peak at 1m. Got their acoustician to come to my place and dick around with SMAART to tune them to my subs and room. Haven't heard this kind of percussive transients outside of [very few] pro studio control rooms.

Buddies of mine recently announced this. The thing is pretty much coax and phase linear without using FIR filtering, so there's no pre-ringing and stupid amounts of delay.

This is why I listen to music. https://ooochenilleooo.bandcamp.com/album/samen

Yeah, they probably are. Need to see how those pads measure against the stock ones. The fact that it's one of the rare hi end headphones without a wonky tonal response just makes the whole pad affair worse. And apparently the MG version uses a different mounting mechanism...

It's actually way easier with big power amps. There you need to use a soft-start and dinky momentary switches become viable.

Thanks! Looks pretty good. Metalworking and switch woes are the worst part of all of my builds. Even if I get luck with the looks of a switch, no datasheet will ever tell me how's the feel.

I'm kinda leery of buying Focal cans because pads are either unavailable or freakishly expensive. Which I hate, because the headphones are very good.

I'm not too big on anti-vandal switches. Always wanted to find that elusive black anodized + orange LED latching, but they're always out of stock. Recently used this switch in a build to great effect. Offset prints for the effin lose.

Greenlit by Peter Jackson!

Yggy absolutely must be used from the BAL connection, the SE is "just there" as a crutch. Supposedly the analog board upgrade made the sound less warm and more precise. My experience with a 9018 Buffalo is that it needed a ton of tweaking to sound right. The FIFO board basically was what made it listenable.

I felt the Schiit Yggdrasil A2 for the price was a better buy. For Terminator money something from Rockna or May Audio might be even better.

Now, don't tell me that I'll be able to mount them flat on a 2U sink!

I liked Denfrips Ares and Terminator. Soekris dac1541 at your price range might work as well.

Dat kick.

I get unmatched 2x(2sk389/2sj109) from the EU for that money. I guess it's matching vs thermal bonding here.

My meagre contribution,

I did my own. Pretty sure everyone else also did.

If you overdo it, you'd need a softstart circuit. Otherwise you're torturing the ON/OFF switch with inrush currents.

Looks like an Elegia rebadge.

Thirdereded. It's free and you can access your stuff from everywhere. And it's not AutoCAD which is purpose made to suck.

If you know what you're doing, then any 1:2/2:1 trafo will do the trick. Just need to keep in mind the HF and current rating.

I wanted to get the DSP equipped OKTO DAC8. Sadly, miniDSP discontinued the input board, so I was SOL.

Which Gungnir was it? The multibit one or DS? Also keep in mind that you'd need to use BAL outs to really make it sing. SE uses a summation circuit which takes away some magic.