Sherwood

I mean, I would need to develop enough expertise to use the machine, to start with. Still, could be a fun project. Two way crossover with an AMT and a driver I'm sure someone has figured out, looks like a sealed box. I could probably find someone around here to cut me a weird-ass baffle since this whole town is made of stone. I'm inspired by your nonchalance, Steve!

I, for one, welcome whatever input you have Doug. None of my sense of self is tied up in my appreciation for those speakers. I think part of the appeal is the dovetails, and that's more your area of expertise than mine.,

I'm devastated to hear that the OMAs sound so good. I don't maintain a life that permits me to even dream about that Imperia system, but my own dreams are also represented in the same picture. Those slate-baffled Monitors to the left of frame look just perfect to my eyes. I've never been in NYC long enough to set up an audition but clearly I should.

Totally fair. Here's where I read his impressions: https://variety.com/2024/tv/news/nickelodeon-marc-summers-quiet-on-set-interview-lied-1235960541/ I agree he came off looking fine, but to some he might have also come off looking like a guy who will cast aspersions on his former employer over incidents he was not involved in. That is certainly what served the documentarians best even if it did Marc no favors. I'm just saying if I was his publicist I would have said "don't talk to them, it can only hurt you." Considering the general level of interviewee they had (mostly technical staff interspersed with archival footage) I think a lot of publicists already knew not to let their stars on camera with that crew. It's a tough double standard, in a way. A DA has a much easier time prosecuting a crime when people talk to the cops, but any attorney here would surely advise their clients not to ever do that. It is in our collective societal interest to solve crimes and bring bad actors to light but it is almost never in someone's individual interest to be the one doing it.

Marc Summers says they totally Shanghai'ed him for this. He was brought in under the belief he would be talking in general about his time at Nickelodeon, which he has positive memories of. He said so during his interview, but they dropped that Ariana Grande clip on him from after he had already left the network. He didn't know what he was watching and asked a clarifying question, and that question is what they kept of his footage after telling him they cut all of his interview. He didn't know he was in the film until it released and now people are asking him how he could have worked there knowing what he knew. Kind of scuzzy practices to mischaracterize and mislead a guy who no one has any complaints about and who wasn't involved in the majority of what happened in your film.

The only real footage I've seen of Ramsay cooking in a purely professional setting was when he was under Marco Pierre White, who was by all accounts a holy terror. I would not be surprised to find out Ramsay can really lose his temper in the kitchen, what luck then that people seem to enjoy paying to watch him do it. I've been a consumer of his content for years, off and on, and there is a clear progression from his earliest British programs like "The F Word" to today. He gets louder, sure, but he also seems to get a little less mean. I think the mean streak might be the real guy and he is softening in his old age. I don't begrudge him his success, the best meal I've ever had was at Gordon Ramsay at Claridge's, but I would certainly avoid working for him. It seems young chefs who want to some day hold their own Michelin stars are willing to put up with anything to get access to training and opportunity. I hope the culture of machismo and self destruction in kitchens is changing. Rene Redzeppi spent years at the absolute top of the world and he has been public about how much therapy it took him to overcome the aggression and violence he developed coming up in haute cuisine. I'd like to see more of that, even if it means fewer compelling FX shows detailing severe dysfunction.

Two items: First, Bridgeport has landed and I've got about 100 listening hours into it. It's big and beautiful and I love it. I'll share pictures when it's moved out of my bedroom and into my office. Second, there is a Torpedo III for sale elsewhere: https://www.usaudiomart.com/details/650094412-ecp-torpedo-iii-amplifier/?utm_campaign=saved-searches-alerts&utm_source=notification&utm_medium=email

Man, have I missed out on all the fun here? I have no excuse, my home office serves double-duty as my blast shelter, so even when my windows shake from Iron Dome detonations I can certainly post. I can't share all the tea here on an open forum, but I'll make a point to pop by and represent the USG perspective on what is going on. This is obviously a subject that arouses very strong feelings in many (myself included), but as a paid propagandist working in exactly this area I think I'm uniquely qualified to stick my neck out.

^^ The game kicks ass. I really enjoyed it.

a.k.a. The adventures of Boyd from Justified turned up to 11 and as much Lizzy Kaplan and Finn from Star Wars as we could afford. Honestly I'm having a good time. The show wears its influences on its sleeve (Silo, Walking Dead, Hello Tomorrow!) but the world feels visceral and fun. It's absolutely good enough to prove the assertion that video game settings can also be good TV settings and I like that.

Not exactly volcano news, but how many threads can a forum of this size reasonably sustain focusing on Iceland? Welcome to new PM "Teflon" Bjarni Ben, surely this means a bright new future for all Icelanders?

It pretty much stays good. I enjoyed it all the way through.

Great sounding gear, very unappealing room and layout. I would stare constantly at the bit of screen covered by the Naim Statement sitting directly on the carpet. Also, who puts a dropdown screen in a dedicated room?

Thanks, Birgir! Grabbed two sets and a new headband.

The alcantara pads on my workhorse HD800s are rotten and I'd love to replace them. Over the years I've always been able to buy spare parts directly from Sennheiser, but no distributor seems to carry them for shipping to the U.S. at the moment. I don't want to ruin these by putting aftermarket Beyerdynamic pads or whatever on them, I just want to pay Sennheiser an ugly markup for parts they apparently no longer want to keep in stock. Does anyone have a line on a real supplier for these?