Thanks for asking after my knee health, Doc Spaniel, but Ken was either not paying attention or giving me too much credit. I was limping although way less than in the first couple days after the injury. I moved way too many boxes on Saturday and Sunday, however, and my knee is killing me again today. MRI results later today, I hope....
Sorry for copying from the other place, but here is the first I have had time to write up:
I haven't had the time or the strength to do up my show impressions and I did not take any pictures at all, but Craig's table was very impressive indeed:
*The new Laconic $500 (pretty sure that is the price he mentioned) is a great sounding tube amp at a fantastic price. It was completely quiet at zero volume with HD800s and with AD2000s. It has a nice sound signature and is VERY good for the money. I would think this amp will do very well at that price point, or even the $600 that JP mentioned before.
*The Balancing Act and the TTVJ 307A are the top tube amps in production in my opinion. The BA has an effortless way of reproducing extraordinary music on every headphone I have tried it with. The BA has a wonderful body and richness to it without sounding syrupy or any of the other words that people use for tube amps that have a lot of body. The low end was incredible. It made the HD800s sound amazing, and I handed them over to ironbut and said he should give a listen to the cans that many people say have lacking low end. He agreed that such a statement is nuts. The AD2K always sound great from the BA, and still did, but comparing back and forth with the HD800 the A-Ts sounded thin and bright relative to the Senns. I also tried a test at Craig's suggestion with my balanced HD800s plugged in. I plugged in a 1/4 jack, which unbalances the balanced output, and and went back and forth a few times to see if balancing makes a big difference. It is there, but it is not as huge a difference on the BA as it is with HD650s. I will try comparing with my SDS-XLR (which I can do only because my hero ironbut resurrected it!), but it was interesting.
*Eddie Current phono stage (name?). This was still a prototype model in an unfinished case, so Craig had it hiding under the tablecloth. Anyway, it should have been in a spotlight because this is a killer phono stage. It is clear and clean and has tons of body. When coupled with the BA it was practically visceral. As JP pointed out, it is pretty amazing how good the decent but humble TT/cartridge combo sounded. Craig is trying to decide some things about the final version's power supply but the price range is supposed to be something between $900-1200.
*The ZDT got the least attention because JP is borrowing it and I plan to get more listening time later. It sounded good, but I mostly heard the Audeze orthos on it with music that was not well suited to the cans and was a bit boring. I wanted to try the Audeze again with some fast rocking stuff and that didn't happen. The ZDT seems like a winner for all types of cans as well, but the BA is a strong preference for me at least on the short listen.
So, Justin said I was the biggest shill at the meet (other than himself and the other MOTs, I assume), because I had the Woo Audio WES prototype on loan from Jack, the TTVJ portable amp/dac on loan from Todd, the Berkeley Audio Alpha Dac on loan from dealer Tim Marutani, and my own Amarra software/Model 4 hardware combo with, again, dealer Tim Marutani present to discuss it. I see it as providing a valuable service to the community by getting some cool new products to the meet, but to each his own! :allteeth: I am also a terrible shill because I just went on so much about Eddie Current that I don't have time to do any more gear impressions at the moment. Suffice to say that the WES is a great new entrant in the stats world, the TTVJ portable is cutting edge and sounds great, the Alpha DAC is wonderful (even though I am happy to find I like the Amarra Model 4 at least as much), and that anyone who is serious about computer audio should invest in Amarra software. More later.
Oh, yeah, and SR-0MEGAS ROCK!!! I really like these cans, although I hate to say that the perfect amp for them might be the ES-1. I liked them much more from the Woo WES than the BHSE, although I bet different tubes might make a difference. The BHSE sounded best with the O2 once again, but those were the only two cans I tried on Justin's table. Sadly, as I mentioned, the best the Omegas sounded all day was on Mikeymad's ES-1. Given that he loves my SRD-7 Pro so much in combination with his WA5, maybe I should buy his ES-1. Is that the craziest thing you have heard today?