April 27, 200917 yr There are two ZDs listed for sale that are available right now! New & Used Stuff I inquired if both were from the 2009 run and Craig confirmed that they are. I kinda want a ZD now but if I actually go for one (not really sure yet), I think I'll be going for a new one with the impedance switch...
April 28, 200917 yr once you go BA you never go back:p I love the ZD but the BA is just sooo much better. I know its a grand more but that is why god blessed you with 2 kidneys one for you and one for ebay
April 28, 200917 yr once you go BA you never go back:p I love the ZD but the BA is just sooo much better. I know its a grand more but that is why god blessed you with 2 kidneys one for you and one for ebay Well looking at your last few purchases *galabier* cough, I guess you have no kidneys left.
May 3, 200917 yr Author I'm going to go ahead and give you 24hrs to ponder that remark. My bad about being a sarcastic asshat...
May 3, 200917 yr My bad about being a sarcastic asshat... Well, this is a step in the right direction. Welcome back.
May 3, 200917 yr My bad about being a sarcastic asshat... Asshat is rather generous. We reserve the term jagbag for situations like this.
May 26, 200917 yr Some quick questions for my technically-minded friends. So how would one likely implement a high/low impedance control on an OTL amp like this? And how much of a performance advantage is it actually likely to afford with low-impedance headphones over the stock configuration? At the NY meet, I thought the stock Zana sounded very good with HP-1s, though I know the combo wouldn't necessarily be considered a great match on paper. Ah theng kyew.
May 26, 200917 yr Typically (and I don't know the Zana topology specifically) the only thing that could be done easily would be to run each output through different sized coupling caps. The high-ohm output requires a smaller cap to achieve uniform frequency response so typically builders/designers use high-quality film caps here, for the low-ohm output the cap size can need to be 10x as large (uF wise) and therefore it's simply not practical or affordable to use a film cap so what is often done is to use a film/electrolytic couple in parallel. Could be that the low-ohm switch just adds the electrolytic in parallel with the cap used on the high-ohm output. Hard telling not knowing. In a more complex world it might be possible to alter a portion of the circuit to allow the tubes to more efficiently drive the low-impedance load but doing so via a switch wouldn't sit well with me.
May 27, 200917 yr Some quick questions for my technically-minded friends. So how would one likely implement a high/low impedance control on an OTL amp like this? And how much of a performance advantage is it actually likely to afford with low-impedance headphones over the stock configuration? At the NY meet, I thought the stock Zana sounded very good with HP-1s, though I know the combo wouldn't necessarily be considered a great match on paper. Ah theng kyew. I asked Craig about it, basically I asked if whether the switch somehow increases the feedback a bit so that it brings the output resistance lower, and he said "That's about it". Last time I checked, the 6C33C-B is biased for a plate resistance of about 90 ohms, and with a little bit of feedback, he brings it to 12 ohms output in stock configuration. So I would imagine the easiest way to implement a lower impedance through a switch would be just having that switch either have a different bias setting for the 6C33CB so the plate resistance is a bit lower, either increasing the feedback level, or maybe a combo of both.
May 28, 200917 yr Multiple input switch. I like that. Wish more manufacturers did that. Lots do on their full sized gear, which in particular are you wishing did?
May 28, 200917 yr My WA6 has an impedance switch - not sure how it works on that amp (whether a multi-tap transformer, or some other trick).
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