Oh yeah the analog section.
I am a Linn-head so it is hard not to go with the 40th anniversary (yeah it was 10 years ago), Linn Sondek LP12.
But it came with an Highland Park 40yo - and the Plinth was made from HP cask staves
Fully loaded with the upgrade bits and the Ekos Arm and Ekstatik cart:
That would give me the Linn sound that I like, but to dig a bit deeper I would like to try the - Wilson-Benesch GMT One Turntable:
Built around this piece of engineering art:
I agree with you Steve on the LYRA Atlas SL Lambda - I heard the younger sibling of this, in a whisky friend's rig, and I was sold on the sound.
And the mono version for mono reason (same pic.. )
For more swapping I have always liked the Grado sound as well -- so Grado Epoch3
And Mono of course - picture not included (yeah it looks the same).
I would have to do a lot more research into the phono pre. But I would probably start out with something like the MANLEY STEELHEAD RC:
Multi inputs - multi gain - multi load - tubes.. neet!
... and I agree with people that this is a bit of a farce. I am not going to own anything here. But I have also spent time with super high end systems and they are a wonderful experience. This is a hobby for me, listening that is, and with any hobby, you spend time, effort and money on them. A lot of chasing high end would be lost on me at this point in my life, unfortunately. My tinnitus has gotten really bad in the last year and a half. I have had a mild version of it since I was a late teen and I damaged my hearing making homemade horn loaded speakers that I put in my car! I still have really good listening skills and can pick out the minutest of details, I just have to turn things up a bit louder to get over my internal noise floor.
Oh, and an Eames Lounge Chair and Ottoman:
For one - thank you very much - there is only one listening position. - Ever.