Both are excellent drivers. I went with Per Skanning's new company, as I could get a custom driver made for no up-charge, as all of the C-Quenze are made to order.
if said person wants to step forward, they probably have a good idea of total cost by now. Size is a 19 L (0.67 cu ft) vented enclosure. Graph is SPL at the point where the port noise becomes audible ("chuffing") and this occurs at 39 watts.
Here's the woofer modeling:
My limited experience with orthos can be summed up as follows:
if you:
A.) want to like an electrostat but keep trying to make it sound like a dynamic headphone without success
B.) think the SR-007 is "dark"
C.) like the Jade
then you should try some orthos.
nope, not over-analysis, just that many recording or sound reproduction systems are off-pitch or introduce pitch issues, hence the annoyance.
edit: perhaps I disagree with the term over-analysis. It's an innate/subconscious analysis, not an purposeful analysis.
I've found you have to leave these on for a while to get them sounding good. Not burn-in per se, but just have to be running 24x7 for some reason. I cannot explain it, but this DAC always sounds crappy at meets for some reason, and I've attributed it to this reason.
Nice find though.
I just tested this last night. Trafo was an R-core with single primaries with marked phase. A 3A fuse blew when they were installed in one orientation, but not the other. YMMV.
in an ideal world, it would be 2 crossovers. and since it never is, then this is my issue. Plus, the crossovers are too simple and cannot do things like impedance flattening, which is very important in the low end region.
hey, random question.. I've bought a bunch of ASC caps recently, and have found the ones that are made in Japan have a different sound to them (for the better). Once you get them, check out the label, and I'll post the label of the ones I have that I'd propose sound better