Jump to content

Recommended Posts

Posted

I realize there are "what are you watching?" and "check out this track (Vevo sucks balls)" threads.  With that said, now that Stranger Things has finished, and the final season of it parallels the last season of Game of Thrones in terms of quality and popularity, I've started watching.  Season 1 isn't bad, but with the 6th sense of hindsight, I can see how the show's writing is ultimately going to be the weakest link.  Already season 2 is significantly worse.  Where am I going with this?  I watched the halloween episode and while I was amused by the inclusion of the Ghostbusters theme, it felt off for me.  After a bit I figured out why.  A decade ago, Neil Cicierega permanently re-arranged my memories of the 1980s.

 

Also, fun fact: the line "bustin' makes me feel good" is removed at a very key moment in the original Ghostbusters film.  It's pretty clear the line was in the original edit and most likely some stuffed suit objected to it.

  • Like 1
Posted (edited)

Putting this here, because I live under the delusion that I will some day get through the "Check out this music (fuck VEVO)" thread.  As I mentioned elsewhere, a DJ I knew for over 25 years died recently.  Periodically, he'd send me a link to a remix he thought I might like.  I used Faecesbook's "see friendship" and found a few of them yesterday.

Maneater needs no introduction.  It's a summation of early 80s synth pop to a T.  It's infectious, over the top and will be stuck in your head for days.  It's not an easy song to remix properly and do anything original.  Certainly there are a legion of remixes out there, most significantly faster than the original's ~90 BPM.  Flying White Dots went in the opposite direction, stripping out most of the original and making sparing use of sparse elements while dubbing the absolute fuck out of things.  I have sneaked this remix into more than a couple downtempo sets over the years.

 

On the other end of the energy spectrum, The Reflex Stems turn Lennon's diss track against McCartney (that is as much autobiographical as it is about Paul) into a nearly 10 minute epic.  In spite of its length, there isn't too much wasted space here.  The Reflex wisely left enough time before John's vocals come in to make it easy to work this remix into more conventional downtempo.  For me, this is a great "late into the set" track.  Both remixes exemplify Matt's ear for quality.  I played both of them (unmixed) over my main sound system last night as a tribute.

Edited by Knuckledragger
  • Like 1

Please sign in to comment

You will be able to leave a comment after signing in



Sign In Now
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use.