Even though I tend to pontificate about cartoonishly large format cameras, I must say I find the works of Henri Cartier-Bresson and his "humble" Leica 35mm rangefinder (usually with a fairly slow 50mm attached) far more compelling than nearly everything that Ansel Adams did. HCB's nighttime Paris photos are directly or indirecty an inspiration for all the long exposures I did in the second half of the 00s. The same can be said for his candid portraits and street photography. Candid portraiture was the one area of photography where I excelled in spite of myself. I put the most effort into landscapes, but in spite of the planet, you know, in general holding still and not GAF if I was photographing it, I only ever had mixed results. Conversely, I was quite good at annoying people I barely knew with an oversized DSLR and large-ish lens and getting interesting results from them. Of course, as descendents of tree monkeys, we're programmed to study each other's facial expressions and consequently find faces far more interesting than some mountain range. Maybe I'm a hack after all. ๐
Case(s) in point:
I've never done much true street photography, but I've always lvoed this shot of a young couple on vacation on MV during the "shoulder season" of early September.
As many/most HCers know, I ran a one man nightclub lighting business for over 15 years. I originally got into photography to take photos of my lighting gear in action to market it. Quickly I became more interested in photography than nightclub lighting. One thing I learned early on was how to take photos in low light conditions with mid 00s low ISO digital sensors:
This photo has a bit of a story: I was taking some pictures from the stage and two inebriated idiots wandered up, wanting to talk to the DJ. They didn't know (or didn't care) that I was shooting, and stood right in my way. I set the AF point to the center, and used the two drunks to mask the sides of the image. I cropped the photo to 5x4, but otherwise did no edits. The subject is actually a fairly awful person, but in this moment she was a dancefloor diva.
A good friend of mine with his then girlfriend. She was nothing but trouble for him, but I like this moment captured. Bonus: that Asioan woman out of focus above his arm is his *ex* girlfriend. I did not plan that.
Hooray, beer.