Leaderboard

Hi All, Build is near completion all seems to be working. One question regarding offset adjustment. After setting the offset to around 17v, after I engage the opto servo, what should the offset read? It reads around 15v, is that normal? I was expecting it to null but that's probably me not understanding the circuitry fully. Regards OK, stupid me! - Read through the thread and found that the OP27 needed to be installed for the Opto Servo to engage, all working now. Time for adding the attenuator and input selector and cleaning up the wiring.

Everyone join us! “ronny/lily > long night > endgame”

Via redderp, The average color of each frame of Game of Thrones season 8 episode 3: Spoiler: it was dark AF.

I can't see FB links on HC. I have The Zuck as completely sandboxed to one Chrome instance as possible. With that said, this is the funniest fuckin' thing I've seen all day:

I just started playing Persona 5 and it is incredible. You don't get a lot of games with this level of style, deep storytelling, and variety. Persona 4 also had a killer soundtrack and I'd say this is one of the best reasons to get a Playstation. The only weakness of the games is their linear design and the slight repetition of the battles. In a way, I think the Persona games tell you more about modern Japan than Sega's Yakuza games (which are also legendary).

The whole capacitor thing is interesting. Back in the day I developed a supermarket security gate to detect product tags and hence shoplifting, which for a few years was in use globally. This used two audio frequencies superimposed on a 20Hz triangle wave. The amp was class D (quite something for thirty-odd years ago) and hence needed an output filter. Designed one, and bought the bits - chunky inductor, and polypropylene capacitors. First thing was that the inductor melted, and that was when I found out about proximity effect. The second thing was that the capacitors howled like a banshee being tortured with a hot poker. Anyway the capacitor thing was really interesting. I tried a variety of manufacturers, and found that acoustic output was determined by tight winding of the foils. Second that axial tubular ones were quieter than radials. That was down to the manufacturing process for the radials. First the foil is wound on a cylindrical former. The former is pulled out and what remains is squashed flat. The voids that are inevitably left cause the noise through electrostatic forces. The quietest were cylindrical audio capacitors - a design now made by Kimber. Far too expensive for the product of course. But I found Roderstein axial ones that were also silent and cost much less. Roderstein is now owned by Vishay. Anyway, it was an interesting exercise. As far as I know no-one tests audio grade caps by passing an audio band signal through them (of an amp or so) and listening to them. Any acoustic output is (a) frequency dependent and associated with mechanical resonance in the capacitor structure and (b) is clearly associated with a loss mechanism. Aha - found a few left over - they were MKP1845, and Vishay still make them https://www.vishay.com/docs/26023/mkp1845.pdf . Just E6 values, which is a pain.

I use 0.5 mm spacers. So far I’ve made just three diaphragms and I have to learn how to get the right tension and also to get a good coating. After a few hours it seem that the new diaphragm is catching up with older one… and they actually are quite alike.

It will be really expensive if you have to buy/build it from parts: eBay

Absolutely amazing episode. I am going to have to watch again to soak it all in. Hilarious

Posted here because I know @Knuckledragger likes mashups.

I just found it here.

Share this too-

Apparently only 100 made in around 1979 https://www.theanalogdept.com/reference.htm

RIP Peter Mayhew aka Chewbacca