I was just being a dick. And no, not 'nuff said.
You guys realize that I don't really use the Extreme, right, because I pick up radio in my apartment, in the place where I would use it? I've mentioned that before.
I had the meet today. I was honestly expecting people to love the Utopias, that maybe I was just weird, and I didn't really talk about them before people started listening, as I didn't want to poison the well. Amps included the KG reworked Squarewave XL, my nearly-maxed Headroom Desktop stack (just missing the SA) , a pretty well stacked DIY Dynalo (I guess these are all ill-suited amplifiers?), some other things, professional gear, that I can't remember, and the Extreme, and several sources. Other people's opinions were pretty much in line with mine. The audio engineers both agreed that they could never use the Focals to mix, as the compressed soundstage made instrument and voice separation very difficult to identify, and that placement would be difficult. The weird aggressive honk in the midrange was also mentioned, and audio engineer friend #1, Simon, asked me if I thought violins sounded like violas on them. He is an audio engineer at my old conservatory, and spends a lot of time listening to acoustic instruments. Strangely, the Extreme was what most people liked the the Utopia the best on, as the honk was less obvious (it also helped that it was hooked to the Electrocompaniet that I'm borrowing from Jim, which I think is excellent). Two peeps, JP and Simon, had previously not liked the HD-800 much, due to the mid-treble tizz, but the SuperDupont mod pretty much fixes that (after listening for the last few days, I definitely prefer the real mod to the Shure olives), and they were greatly preferred. Even HD-600s were preferred, because instrument placement was reasonably accurate, three-blobs be damned, and instruments sounded right. The RS-1s were enjoyed, though nobody thought they were accurate (which, of course, they aren't, but they sure get timbre right, for a lot of instruments), and they certainly have a neat way of placing instruments in space, even if the soundstage isn't very large. I felt quite vindicated. You can believe my report or not, I don't really give a shit. Thank you very much, Todd, for lending them to me. I hope that you like them as much as most people seem to. I was really expecting to. I'll get them back to you in the next couple days.
To summarize, I really just don't get it. I think the Utopias are anti-hifi, measurements be damned. They make everything sound the same, and it can be pleasant (the punchy bass is great), but it's not accurate, and I can't hear the room where things were recorded, because there is such a compressed and weird soundstage. Being Mr. Empirical Evidence, it's a tough thing to say, but at the end of the day, I have to use my ears to listen to things. These are the world's best KSC-75.