Did I say film scans? I mean "through the viewfinder" silliness. So there's a longstanding technique of pointing modern digital cameras at the viewfinder of old film cameras. Specifically top down viewfinders as most TLRs have. This process works best with medium format cameras that have large, square viewfinders. I don't have one of those. I do have an early 50s Praktica F. X 2 35mm SLR that has a wacky waist level viewfinder.
First off, the photo that inspired me, all the way back in 2009:
Oskars Cirsis on Flickr pointed his D700 at his Pentacon Six (neither of which I have and both of which I covet) and really hit it out of the park. He wisely removed the viewfinder hood, which would make the Six hard to use, but much easier to photograph. It only took me 14 years to finally get around to trying out this technique myself.
Alex Yanchenkov did the same thing in late 2012 with a 5D Mk II pointed at a Kiev 60.
Same idea done in 2018 with an iPhone by Josh White on Flickr. The iPhone's pseudo HDR makes the process much easier.
As I have said, I don't have a medium format camera. I've priced out various MF SLRs and TLRs on the 'bay, and they suffer from the "small pickup truck syndrome." 10-15 years ago, they were dirt cheap on the used market. Now they're all "no lowballs, I know what I have." It's a really weird time to be alive.
The F. X 2 SLR I have is 35mm of course, so it has a much smaller viewfinder. It also has a pesky flip out focusing loupe which gets in the way:
It folds away ...mostly. Also my poor F. X 2 is much, much more dirty than this example and no amount of cleaning will fully restore it. With that said, others have used this exact camera for through the viewfinder photos:
Both done with a smartphone. The telltale pseudo HDR is all over these shots. NB: I don't hate the fake tonemapping that smartphone camera apps do for snapshots but it's one of those things that cannot be unseen. So anyway, I've made a couple attempts at my own TTV shots over the last few days:
F. X 2 with an Ashai Super-Takuma 50mm F/1.4, wide open and infinity focused. Shot with a 5D IV and 35mm F/2 (F/16, 1/4, ISO100) which has had a broken AF motor since 2009. I used a pair of tripods, so there's legs visible all over the place.
Same as above, except for I swapped my Tair 11a 135mm F/2.8 in place of the Ashai.
The following day, with the Ashai 50 again, this time using my iPhone (which weighs about 1/100 of what the 5D on a tripod does). It was not my plan to capture the truck in the middle of the viewfinder. I was explicitly trying to avoid any cars, but I live on a busy road. Even on a Sunday, there's a bustle of vehicles going past. With all of this said, the truck did manage to get itself framed rather well. "I meant to do that!"
Bonus:
This is what the setup looked like from my first attempt (using my 17-40 vs the 35mm). The problem here was that the sun was beating down on the deck and the camera body was brighter than the viewfinder. Also, I've been looking at non working medium format cameras on the 'bay. The problem here is that besides the "small pickup truck" syndrome, TLRs are for the most part quite good looking cameras. People like having a TLR as an art piece on their mantle or wherever.
While I'd love to have a non-working Rollei (Bill Tague's personal one, photographed by me in 2010), the prices of them are too expensive for what they are. I understand the appeal. Rollies are beautiful mechanical marvels. There are some cheaper models out there:
This Ansco Anscoflex II TLR 620 is $50 plus shipping. It is, and I want to be delicate here, also the UGLIEST GODDAMN CAMERA I HAVE SEEN IN MY ENTIRE FUCKING LIFE. It has the most horrific institutional aesthetic to it imaginable. It looks like it was used for mugshots in 1963. It is genuinely so repugnant I'd rather be condemned to a life of shooting Kodak Gold 200 than ever use it. I'd rather quit photography for another 10 years than have it in my house.